Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
23rd – 28th May 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
Three one-act plays with a Russian theme, directed by Harry Meacher.
THE PROPOSAL
by Anton Chekhov
Ivan Lomov wants to marry Natalya but will a meadow come between them?
THE BEAR
by Anton Chekhov
Death, a debt, a duel and…?
THE GHOSTS
by Harry Meacher, from an idea by Anton Chekhov
He drinks alone with his memories – when an unexpected visitor arrives.
SEE ALL THREE PLAYS IN ONE NIGHT!
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
23rd – 28th May 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
Three one-act plays with a Russian theme, directed by Harry Meacher.
THE PROPOSAL
by Anton Chekhov
Ivan Lomov wants to marry Natalya but will a meadow come between them?
THE BEAR
by Anton Chekhov
Death, a debt, a duel and…?
THE GHOSTS
by Harry Meacher, from an idea by Anton Chekhov
He drinks alone with his memories – when an unexpected visitor arrives.
SEE ALL THREE PLAYS IN ONE NIGHT!
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
23rd – 28th May 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
Three one-act plays with a Russian theme, directed by Harry Meacher.
THE PROPOSAL
by Anton Chekhov
Ivan Lomov wants to marry Natalya but will a meadow come between them?
THE BEAR
by Anton Chekhov
Death, a debt, a duel and…?
THE GHOSTS
by Harry Meacher, from an idea by Anton Chekhov
He drinks alone with his memories – when an unexpected visitor arrives.
SEE ALL THREE PLAYS IN ONE NIGHT!
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
23rd – 28th May 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
Three one-act plays with a Russian theme, directed by Harry Meacher.
THE PROPOSAL
by Anton Chekhov
Ivan Lomov wants to marry Natalya but will a meadow come between them?
THE BEAR
by Anton Chekhov
Death, a debt, a duel and…?
THE GHOSTS
by Harry Meacher, from an idea by Anton Chekhov
He drinks alone with his memories – when an unexpected visitor arrives.
SEE ALL THREE PLAYS IN ONE NIGHT!
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
23rd – 28th May 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
Three one-act plays with a Russian theme, directed by Hary Meacher.
THE PROPOSAL
by Anton Chekhov
Ivan Lomov wants to marry Natalya but will a meadow come between them?
THE BEAR
by Anton Chekhov
Death, a debt, a duel and…?
THE GHOSTS
by Harry Meacher, from an idea by Anton Chekhov
He drinks alone with his memories – when an unexpected visitor arrives.
SEE ALL THREE PLAYS IN ONE NIGHT!
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
23rd – 28th May 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
Three one-act plays with a Russian theme, directed by Harry Meacher.
THE PROPOSAL
by Anton Chekhov
Ivan Lomov wants to marry Natalya but will a meadow come between them?
THE BEAR
by Anton Chekhov
Death, a debt, a duel and…?
THE GHOSTS
by Harry Meacher, from an idea by Anton Chekhov
He drinks alone with his memories – when an unexpected visitor arrives.
SEE ALL THREE PLAYS IN ONE NIGHT!
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Traditional Music Hall with Cathy Joyner, Fiona Slater, Orla Roberts, Clive Bennett, and Alec Dunnachie, with Bob Higgs in the Chair and Derek Marcus at the piano.
Doors open 7.30 for 8.00 start.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
22nd & 24th August 7.30pm
23rd & 25th August 9.15pm
Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.
LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”
A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”