Maria Cabrera ceramics
Crouch End Candles
Kokoa (the chocolate shop)
Shelter
Leaping Lizard – children’s clothes/toys & Xmas decorations
The Dukes Head – food only
The Crown tbc – mulled drinks
The Gatehouse tbc – mulled drinks
Monday 6 Nov coffee computers 10 30
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Monday 6 Nov coffee computers 10 30
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Michael McCarthy PhD lectured in Politics before a career in development, consultancy and in rural and heritage regeneration. His books include Campaigning for the Poor; The New Politics of Welfare; and A History of Their Making.
The extraordinary story of Richard Whittington, from his arrival in London as a young boy to his death in 1423, against a backdrop of plague, politics and war; turbulence between Crown, City and Commons; and the unrelenting financial demands of Richard II, Henry IV and Henry V, to whom Whittington was mercer, lender and fixer.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Sunday 21st January 2024 12 noon.
£15 including a glass of Buck’s Fizz.
Lior (piano), Edouard (double bass) and Jonah (drums) take their inspiration from the great names of Bebop jazz – Charles Mingus, Cannonball Adderley, Miles Davis and John Coltrane – but will include some compositions of their own.
https://www.tickettailor.com/events/highgatesociety/1090128
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Monday 6 Nov coffee computers 10 30
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
With so much coverage being given to the troubles in Gaza and the West Bank many people may wonder whether a country in the Middle East is a suitable destination for this year’s holiday. Be assured the principal travel companies continue to operate tours to Jordan as normal, considering it as a wholly safe destination and, as Richard Webber and Jane Campbell will hope to show, even a short visit will expose you to the remains of many different civilisations and a variety of stunning desert landscapes in a hassle-free environment largely undiscovered by mass tourism
https://eventbrite.co.uk/e/travellers-tales-why-visit-jordan-tickets-782698461167?aff=oddtdtcreator
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
Tamas Szigyarto, London-based pianist and composer, presents selected works from two original piano cycles: There Will Be Rainbow and Cone Of Silence, recently released by Navona and Oclassica labels respectively.
The two works, written in neo-romantic style with a touch of impressionism, present a musical dyad. There Will Be Rainbow is bright and optimistic whereas Cone Of Silence reflects on the darker themes of solitude and melancholy. Both cycles accumulate material written over the past decade. Finally, there will be performance of piano poem Blue Hour written by Tamas and his creative partner, pianist and composer, Elena Oleynik.
Thursday, February 22nd
Doors 19:00
Performance 19:30
General £10 / Concession £8
Lauderdale House
Waterlow Park
Highgate Hill
London
N6 5HG
23 Feb Friday cocktail evening 7.30 details and booking to follow
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Discover fascinating stories from Highgate’s past, and the diverse history of the communities that make up North London.
Come and chat to over 20 people who are interested in and knowledgeable about the history of our local area, including representatives from local museums, historic houses and local history societies at this FREE fair! Alongside Jacksons Lane, we will also be hosting a ‘memory stall’ this year, and collecting photos from the community that show the venues or Waterlow Park. Have any images from the past that you’d like to share? Bring them along!
Confirmed attendees for this year’s Heritage fair include:
The Arts Society Hampstead Heath
Camden History Society
Camden Tour Guides Association
Channing School
The Coleridge Trust
Friends of Kenwood
Highgate Cemetery
The Highgate Literary & Scientific Institution Archive
The Highgate Roman Kiln Project
Highgate School Museum & Archive
The Highgate Society
Hornsey Historical Society
Jacksons Lane
Kenwood House
Lady Gould’s Charity
Lauderdale House
North London U3A
Memories Stall
Pink Plaques Project