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Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.

The planning committee often have someone on hand to answer planning queries.

Sir Robert Chiltern is a successful government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears with evidence of a past he would rather hide. Sir Robert has to decide whether to yield to blackmail or risk exposing the origins of his wealth and position.

The themes of this play, which revolve around blackmail and political corruption, are as relevant now as they were when Oscar Wilde wrote the play 130 years ago.

Sir Robert Chiltern is a successful government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears with evidence of a past he would rather hide. Sir Robert has to decide whether to yield to blackmail or risk exposing the origins of his wealth and position.

The themes of this play, which revolve around blackmail and political corruption, are as relevant now as they were when Oscar Wilde wrote the play 130 years ago.

Monday 6 Nov coffee computers 10 30

The Merry Mug Quiz

Offie nominated writer Maeve O’Haire brings her one woman show ‘The Behaviours of Posie Marshall’ to stage, in which twenty-one characters come to life in a dark comedic setting. Posie Marshall leads us through 37 hours of her life, when the police find her in the footwell of a Range Rover. 

Posie ‘Po’ Marshall is a fun loving, slightly anxious, tag along who looks after her family and friends despite them not always reciprocating. Her brother Jason has a chequered past which has given the family a reputation. Follow Posie as she battles with her demons through house parties, uncomfortable conversations, eye opening realisations and a surprise visit to a custody cell. 

Offie nominated writer Maeve O’Haire brings her one woman show ‘The Behaviours of Posie Marshall’ to stage, in which twenty-one characters come to life in a dark comedic setting. Posie Marshall leads us through 37 hours of her life, when the police find her in the footwell of a Range Rover. 

Posie ‘Po’ Marshall is a fun loving, slightly anxious, tag along who looks after her family and friends despite them not always reciprocating. Her brother Jason has a chequered past which has given the family a reputation. Follow Posie as she battles with her demons through house parties, uncomfortable conversations, eye opening realisations and a surprise visit to a custody cell. 

A new “New Musical” showcase, Before It Hits brings snapshots of six in-development musicals by some of the West End’s best emerging writers to Upstairs At The Gatehouse.

Hosted by standup comedian Farah Sharp (named ‘One to watch’ in the Funny Women Awards and featured on BBC Radio 4) and created by the team behind Olivier-nominated The Choir of Man, expect to see a variety of exciting new shows at various stages of their development. 

The first outing of Before It Hits is set to feature works by established West End writers, creatives and performers, and is guaranteed to be a scintillating evening promoting rising talent. 

Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.

The planning committee often have someone on hand to answer planning queries.

A new “New Musical” showcase, Before It Hits brings snapshots of six in-development musicals by some of the West End’s best emerging writers to Upstairs At The Gatehouse.

Hosted by standup comedian Farah Sharp (named ‘One to watch’ in the Funny Women Awards and featured on BBC Radio 4) and created by the team behind Olivier-nominated The Choir of Man, expect to see a variety of exciting new shows at various stages of their development. 

The first outing of Before It Hits is set to feature works by established West End writers, creatives and performers, and is guaranteed to be a scintillating evening promoting rising talent. 

Lessons in Diplomacy: Politics, Power and Parties

Join us for night celebrating Blue Note Records with QCBA, the explosive jazz group led by trumpeter Quentin Collins and saxophonist Brandon Allen.
QCBA have been wowing audiences globally for over 20 years, performing at prestigious venues including Ronnie Scott’s, Duc des Lombards, Maissons Laffitte Festival (France) and the Detroit & Monterey Jazz Festivals (USA).

Quentin and Brandon have been the frontline of the Kyle Eastwood Band for over 10 years, touring globally. This new project promises to deliver a high energy homage to some of the best known artists from the legendary record label’s golden period of the 1960’s.

Expect to hear classic tunes by Art Blakey, Jimmy Smith, Horace Silver, Hank Mobley, Joe Henderson, Donald Byrd, Herbie Hancock and more!

Backed by the powerhouse rhythm team of hammond organist Ross Stanley & drummer Joel Barford, audiences can expect an evening that will exhilarate and enthral in equal measure.

Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.

The planning committee often have someone on hand to answer planning queries.

Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.

The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions. 

Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.

Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.

The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions. 

Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.

We have great pleasure in inviting you to the 58th Annual General Meeting of the Highgate

Society which will be held
On Thursday 22 May 2025 at 7.00pm
at St Michael’s School, North Road, N6 4BG

Griff Rhys Jones will be the guest speaker. A very well-known actor and television
presenter, as President of Civic Voice he has been awarded the OBE for services to the

national civic society movement.

Doors open at 6.30pm, Formal proceedings start at 7pm. Drinks and light refreshments

will be served.

Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.

The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions. 

Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.

Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.

The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions. 

Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.

Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.

The planning committee often have someone on hand to answer planning queries.

Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.

The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions. 

Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.

Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.

The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions. 

Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Enjoy an evening of swing, grooves and inventive improvisation with Deirdre Cartwright’s ORGANIK.

ORGANIK is a new organ trio led by guitarist Deirdre Cartwright with Pete Whittaker on Organ and Gary Hammond on Congas/percussion. You’ll be treated to the sounds of the classic jazz organ/guitar trios of the 1960s – Kenny Burrell/Jimmy Smith, Grant Green/Larry Young, Wes Montgomery/Melvin Rhyne, plus some original takes on the Beatles, Doors, Curtis Mayfield and Kate Bush.

Deirdre Cartwright is an award winning guitarist and composer who became well known presenting the BBC TV’s ground-breaking series ‘Rockschool’. She also played with Afro Latin Jazz group The Guest Stars, recording three albums and touring in 17 countries. In 1991 she formed the Deirdre Cartwright Group which recorded five albums and played international festivals from Mexico to Warsaw. She has also written and recorded albums with the groups Emily Remembered and LUND. More recently she has toured and recorded four albums with ARQ who won Best UK jazz group in the Parliamentary Jazz Awards and British Jazz Awards in 2018. She won the public vote for Best Guitarist at the 2019 British Jazz Awards and in 2020 was awarded Services to Jazz with Blow the Fuse at the Parliamentary Jazz Awards. She also plays with Sea Change, Carol Grimes, PICNIC featuring Annie Whitehead, Electric Landladies and regularly at Ronnie Scott’s in Soho. She has played with legendary guitarist Tal Farlow, studied in America with Mick Goodrick, toured with Jamaican composer Marjorie Whylie, founded Blow the Fuse with Alison Rayner in 1989 and presented on Radio 3.

Pete Whittaker became fascinated with the sound of the Hammond organ after hearing classic 1950s & 60s hard-bop records. Currently involved in projects with some of the UK’s leading musicians including Art Themen and John Etheridge.

Gary Hammond boasts a rich history of performing and recording with The Beautiful South for over a decade. His stellar career includes collaborations with Nina Simone and frequent involvement with various groups across World, Jazz, and Pop genres.

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.

The planning committee often have someone on hand to answer planning queries.

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Monday 6 Nov coffee computers 10 30

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.

The planning committee often have someone on hand to answer planning queries.