Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Anne McNeill Pulati
Allegories and Metaphors
16-29 September 2022
Anne McNeill Pulati uses the figure as a vehicle, metaphorically and pictorially, in her creative practice. These images are her personal reflections of human experience and spirituality.
Inspiration and research for the work includes ancient and modern belief systems, myths and legends, and cultural variations from around the world, particularly regarding the journey of the soul. For many years she has been interested in metaphor and often incorporates motifs and symbols, ignoring compositional perspectives and using metaphysical landscapes.
Symbols which are commonly understood, such as figures, angels, flowers, rivers, and shadows appear frequently. Anne states that she is principally a colourist. The medium of paint offers her the freedom to tell a narrative through colours, textures and surfaces and allows an immediacy that encourages her imagination.
Art-making has enabled Anne to develop an understanding of the journey in life which she follows. The essence of Quakerism sits in her life’s journey. The making of a painting has come, for her, from a place which at that point is a “story beginning to unfold.”
“Through the act of creativity, I enter a process which delivers something that usually surprises me and also is not consciously designed. In this process, I receive insights and a fulfillment only by entering this activity.”
She believes that we all have gifts that are not our own, but are to share, and which may possibly benefit others. The fact that we should share our gifts is the point, and it is usually fear of failure that stops us. She says: “It doesn’t matter what you share, it’s the intention behind it that people will see.” In showing her work she hopes that those who see it, will be able to ponder on their own responses.
For more information contact the artist: info@annemcneillPulati.com
View the website: https://www.singulart.com/en/artist/anne-mcneill-pulati-10683
To subscribe to newsletter: https://landing.mailerlite.com/webforms/landing/h5d5y8
Contact Co-ordinator for Highgate Gallery: bethrobertson@blueyonder.co.uk
Gallery open Wed-Fri 13:00-17:00, Sat 11:00-16:00, Sun 11:00-17:00
Anne McNeill Pulati
Allegories and Metaphors
16-29 September 2022
Anne McNeill Pulati uses the figure as a vehicle, metaphorically and pictorially, in her creative practice. These images are her personal reflections of human experience and spirituality.
Inspiration and research for the work includes ancient and modern belief systems, myths and legends, and cultural variations from around the world, particularly regarding the journey of the soul. For many years she has been interested in metaphor and often incorporates motifs and symbols, ignoring compositional perspectives and using metaphysical landscapes.
Symbols which are commonly understood, such as figures, angels, flowers, rivers, and shadows appear frequently. Anne states that she is principally a colourist. The medium of paint offers her the freedom to tell a narrative through colours, textures and surfaces and allows an immediacy that encourages her imagination.
Art-making has enabled Anne to develop an understanding of the journey in life which she follows. The essence of Quakerism sits in her life’s journey. The making of a painting has come, for her, from a place which at that point is a “story beginning to unfold.”
“Through the act of creativity, I enter a process which delivers something that usually surprises me and also is not consciously designed. In this process, I receive insights and a fulfillment only by entering this activity.”
She believes that we all have gifts that are not our own, but are to share, and which may possibly benefit others. The fact that we should share our gifts is the point, and it is usually fear of failure that stops us. She says: “It doesn’t matter what you share, it’s the intention behind it that people will see.” In showing her work she hopes that those who see it, will be able to ponder on their own responses.
For more information contact the artist: info@annemcneillPulati.com
View the website: https://www.singulart.com/en/artist/anne-mcneill-pulati-10683
To subscribe to newsletter: https://landing.mailerlite.com/webforms/landing/h5d5y8
Contact Co-ordinator for Highgate Gallery: bethrobertson@blueyonder.co.uk
Gallery open Wed-Fri 13:00-17:00, Sat 11:00-16:00, Sun 11:00-17:00
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Handmade In Highgate is back at the HLSI for its annual designer/maker winter fair. The fair will feature up to 30 of the UK’s brightest and most talented artists and makers. As we are approaching Christmas the fair will feature plenty of high quality gift ideas for all tastes and budgets.
On Sunday 20 November Handmade in Highgate will be open from 11am – 5pm
Entrance if FREE and everyone is welcome.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.