In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.
All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk: On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed. All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.
All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.
All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.
All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
6 -9pm
‘The day before Tomorrow;
Dreams of a summer
evening’ – film screening and
pop-up café event by LUX
and local Transition Towns
LUX, then Waterlow Park
Kitchen Garden
Free
www.transitionkentishtown.org.uk
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
It promotes well-being, reduces stress, develop motor skills and creativity… weaving! If you’ve ever wanted to learn to weave, but never had the opportunity, then join our five-week course!
Tutored by experienced textile artist Zsofia-Hajdu, you will learn to mix and match different yarns to create beautiful shapes and textures.
Check out our website for more details and booking!
It promotes well-being, reduces stress, develop motor skills and creativity… weaving! If you’ve ever wanted to learn to weave, but never had the opportunity, then join our five-week course!
Tutored by experienced textile artist Zsofia-Hajdu, you will learn to mix and match different yarns to create beautiful shapes and textures.
Check out our website for more details and booking!
It promotes well-being, reduces stress, develop motor skills and creativity… weaving! If you’ve ever wanted to learn to weave, but never had the opportunity, then join our five-week course!
Tutored by experienced textile artist Zsofia-Hajdu, you will learn to mix and match different yarns to create beautiful shapes and textures.
Check out our website for more details and booking!
It promotes well-being, reduces stress, develop motor skills and creativity… weaving! If you’ve ever wanted to learn to weave, but never had the opportunity, then join our five-week course!
Tutored by experienced textile artist Zsofia-Hajdu, you will learn to mix and match different yarns to create beautiful shapes and textures.
Check out our website for more details and booking!
It promotes well-being, reduces stress, develop motor skills and creativity… weaving! If you’ve ever wanted to learn to weave, but never had the opportunity, then join our five-week course!
Tutored by experienced textile artist Zsofia-Hajdu, you will learn to mix and match different yarns to create beautiful shapes and textures.
Check out our website for more details and booking!
It promotes well-being, reduces stress, develop motor skills and creativity… weaving! If you’ve ever wanted to learn to weave, but never had the opportunity, then join our five-week course!
Tutored by experienced textile artist Zsofia-Hajdu, you will learn to mix and match different yarns to create beautiful shapes and textures.
Check out our website for more details and booking!
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course