Make sure you keep the evening (from 7pm to 11pm) of 11th February free in the your diaries for our amazing Barn Dance/Ceilidh hosted by the equally amazing Central London Outdoor Group – a not-for-profit group run for members by members – see our website: Central London Outdoor Group.
A top live barn dance band (3 musician plus caller) band will be performing at this special event – The Wraggle Taggle Band. http://www.wraggletaggle.com/.
Never been to a barn dance before? No problem – the caller will teach you everything you need to know.
The barn dance will be at a fab venue in Highgate with plenty of space for dancing, good acoustics and a separate lounge for when you want to sit out a dance but still watch the action. We also get the use of a kitchen for food, drinks and snacks. You can bring food and drink to share (like we do at picnics).
Ticket sales will be opening in January. Tickets will be priced at the ridiculously low price of £13 per head (or £12 per head for members of the Central London Outdoor Group).
How to buy tickets? See: http://www.clog.org.uk/p/barn-dance.html
The total number of tickets will be capped at 70 to ensure there is plenty of space for dancing.
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
10-23 March
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
10-23 March
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
10-23 March
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
10-23 March
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
Laughter, Fun, Games, Improvisation, Meditation, and Connection 🙂 Ho Ho Ha Ha
Laugh, Play, socialise and make new friends. Join us for our optional after Laugh Social where the conversation and laughter will continue to flow.
An hour of rib tickling deep belly laughter including child like playfulness, gibberish, improvisation, complete nonsense, meditation and dancing!!! followed by a Social at a local cafe or park.
Maximum 4 tickets per person.
Tickets on the day subject to availability £10.00 This week we are in the Upper Hall
For larger Group bookings please contact us for info and rates.
In a nutshell
Laughter yoga is a practice involving prolonged voluntary laughter along with breathing techniques that originate from Yoga. We usually laugh for between 3-5 seconds, in a laughter yoga session we will laugh for between 10-15 minutes, of deep belly laughter. This is the type of laughter that gives us all the health benefits and the benefits will remain with us for a good 24 hours after the session! The body reacts in the same way whether the laughter is forced or natural, releasing the endorphin’s (happy hormones). It is these endorphin’s that kick in and fight stress, boost our immune system and make us feel good in so many ways. Laughter yoga is experienced in groups, with eye contact, yogic breathing and playfulness between participants. All that is required of the participants is a Willingness to Laugh!
We sometimes have an Optional Social at a cafe after the workshop.
Stay as long or as short as you like. A chance to continue with conversation and laughter amongst new friends in a nearby cafe or pub.
What to bring
Wear something you are comfortable to move in and we will probably lie on the floor for a short ending mediation at some point! so if you like bring a Yoga/Camping Mat and cushion or you could roll your coat up and improvise! Bring some water or purchase from the bar. Laughter is thirsty work!
IMPORTANT PLEASE READ
Laughter Yoga is not a substitute for medical consultation for physical, mental and psychological illnesses, but is a powerful natural complementary form of healing. It is like any other aerobic exercise and may not be suitable for everyone as it involves some physical strain and a rise in intra-abdominal pressure.
Some people may have pre- existing medical conditions and one should take reasonable precaution before doing laughter exercises or indeed any form of exercise.
It is contraindicated for people suffering from: Any kind of hernia, Heart disease with angina pain, Persistent cough with breathlessness, Uncontrolled high blood pressure, Incontinence of urine, Epilepsy, Advanced (bleeding) piles and haemorrhoids or any bleeding tendencies in any part of the body, Severe backache, Any acute symptoms of cough, cold and fever. People who have undergone major surgery should wait at least three months before doing Laughter Yoga.
If in doubt first consult a medical professional for guidance. Anyone undergoing physician-prescribed therapy that experiences improvements through laughter should seek the advice of their doctor before reducing dosage or stopping treatment.
Click through to our Laughter Yoga London Website for more info and private group bookings.
www.laughteryogawellness.co.uk
#laughteryogalondon
Workshop Facilitator
Odette is a Laughter Yoga Leader, Reiki Master, Gong Master and Meditation Facilitator. In the holistic wellbeing field for over 15 years. She runs a well-being business helping people to feel better and less stressed. Her work is now mainly focused on Sound Healing and Laughter for Wellbeing. Her clients include individuals, private groups, charities and global corporations.
For private groups and workplace wellbeing bookings please visithttp://laughteryogawellness.co.uk/contact/
Laughter Yoga Wellness UK www.laughteryogawellness.co.uk
Refund Policy
No refunds. If you can not make it on the day, you are welcome to transfer the space to a friend but let us know their details for our register.
Odette is also a Laughter Yoga Training Provider. Next 2 day leader training Course in October in Angel and Islington. http://laughteryogawellness.co.uk/event/laughter-yoga-leader-training-in-london/
Laughter, Fun, Games, Improvisation, Meditation, and Connection 🙂 Ho Ho Ha Ha
Laugh, Play, socialise and make new friends. Join us for our optional after Laugh Social where the conversation and laughter will continue to flow.
An hour of rib tickling deep belly laughter including child like playfulness, gibberish, improvisation, complete nonsense, meditation and dancing!!! followed by a Social at a local cafe or park.
Maximum 4 tickets per person.
Tickets on the day subject to availability £10.00 This week we are in the Upper Hall
For larger Group bookings please contact us for info and rates.
In a nutshell
Laughter yoga is a practice involving prolonged voluntary laughter along with breathing techniques that originate from Yoga. We usually laugh for between 3-5 seconds, in a laughter yoga session we will laugh for between 10-15 minutes, of deep belly laughter. This is the type of laughter that gives us all the health benefits and the benefits will remain with us for a good 24 hours after the session! The body reacts in the same way whether the laughter is forced or natural, releasing the endorphin’s (happy hormones). It is these endorphin’s that kick in and fight stress, boost our immune system and make us feel good in so many ways. Laughter yoga is experienced in groups, with eye contact, yogic breathing and playfulness between participants. All that is required of the participants is a Willingness to Laugh!
We sometimes have an Optional Social at a cafe after the workshop.
Stay as long or as short as you like. A chance to continue with conversation and laughter amongst new friends in a nearby cafe or pub.
What to bring
Wear something you are comfortable to move in and we will probably lie on the floor for a short ending mediation at some point! so if you like bring a Yoga/Camping Mat and cushion or you could roll your coat up and improvise! Bring some water or purchase from the bar. Laughter is thirsty work!
IMPORTANT PLEASE READ
Laughter Yoga is not a substitute for medical consultation for physical, mental and psychological illnesses, but is a powerful natural complementary form of healing. It is like any other aerobic exercise and may not be suitable for everyone as it involves some physical strain and a rise in intra-abdominal pressure.
Some people may have pre- existing medical conditions and one should take reasonable precaution before doing laughter exercises or indeed any form of exercise.
It is contraindicated for people suffering from: Any kind of hernia, Heart disease with angina pain, Persistent cough with breathlessness, Uncontrolled high blood pressure, Incontinence of urine, Epilepsy, Advanced (bleeding) piles and haemorrhoids or any bleeding tendencies in any part of the body, Severe backache, Any acute symptoms of cough, cold and fever. People who have undergone major surgery should wait at least three months before doing Laughter Yoga.
If in doubt first consult a medical professional for guidance. Anyone undergoing physician-prescribed therapy that experiences improvements through laughter should seek the advice of their doctor before reducing dosage or stopping treatment.
Click through to our Laughter Yoga London Website for more info and private group bookings.
www.laughteryogawellness.co.uk
#laughteryogalondon
Workshop Facilitator
Odette is a Laughter Yoga Leader, Reiki Master, Gong Master and Meditation Facilitator. In the holistic wellbeing field for over 15 years. She runs a well-being business helping people to feel better and less stressed. Her work is now mainly focused on Sound Healing and Laughter for Wellbeing. Her clients include individuals, private groups, charities and global corporations.
For private groups and workplace wellbeing bookings please visithttp://laughteryogawellness.co.uk/contact/
Laughter Yoga Wellness UK www.laughteryogawellness.co.uk
Refund Policy
No refunds. If you can not make it on the day, you are welcome to transfer the space to a friend but let us know their details for our register.
Odette is also a Laughter Yoga Training Provider. Next 2 day leader training Course in October in Angel and Islington. http://laughteryogawellness.co.uk/event/laughter-yoga-leader-training-in-london/
Laughter, Fun, Games, Improvisation, Meditation, and Connection 🙂 Ho Ho Ha Ha
Laugh, Play, socialise and make new friends. Join us for our optional after Laugh Social where the conversation and laughter will continue to flow.
An hour of rib tickling deep belly laughter including child like playfulness, gibberish, improvisation, complete nonsense, meditation and dancing!!! followed by a Social at a local cafe or park.
Maximum 4 tickets per person.
Tickets on the day subject to availability £10.00 This week we are in the Upper Hall
For larger Group bookings please contact us for info and rates.
In a nutshell
Laughter yoga is a practice involving prolonged voluntary laughter along with breathing techniques that originate from Yoga. We usually laugh for between 3-5 seconds, in a laughter yoga session we will laugh for between 10-15 minutes, of deep belly laughter. This is the type of laughter that gives us all the health benefits and the benefits will remain with us for a good 24 hours after the session! The body reacts in the same way whether the laughter is forced or natural, releasing the endorphin’s (happy hormones). It is these endorphin’s that kick in and fight stress, boost our immune system and make us feel good in so many ways. Laughter yoga is experienced in groups, with eye contact, yogic breathing and playfulness between participants. All that is required of the participants is a Willingness to Laugh!
We sometimes have an Optional Social at a cafe after the workshop.
Stay as long or as short as you like. A chance to continue with conversation and laughter amongst new friends in a nearby cafe or pub.
What to bring
Wear something you are comfortable to move in and we will probably lie on the floor for a short ending mediation at some point! so if you like bring a Yoga/Camping Mat and cushion or you could roll your coat up and improvise! Bring some water or purchase from the bar. Laughter is thirsty work!
IMPORTANT PLEASE READ
Laughter Yoga is not a substitute for medical consultation for physical, mental and psychological illnesses, but is a powerful natural complementary form of healing. It is like any other aerobic exercise and may not be suitable for everyone as it involves some physical strain and a rise in intra-abdominal pressure.
Some people may have pre- existing medical conditions and one should take reasonable precaution before doing laughter exercises or indeed any form of exercise.
It is contraindicated for people suffering from: Any kind of hernia, Heart disease with angina pain, Persistent cough with breathlessness, Uncontrolled high blood pressure, Incontinence of urine, Epilepsy, Advanced (bleeding) piles and haemorrhoids or any bleeding tendencies in any part of the body, Severe backache, Any acute symptoms of cough, cold and fever. People who have undergone major surgery should wait at least three months before doing Laughter Yoga.
If in doubt first consult a medical professional for guidance. Anyone undergoing physician-prescribed therapy that experiences improvements through laughter should seek the advice of their doctor before reducing dosage or stopping treatment.
Click through to our Laughter Yoga London Website for more info and private group bookings.
www.laughteryogawellness.co.uk
#laughteryogalondon
Workshop Facilitator
Odette is a Laughter Yoga Leader, Reiki Master, Gong Master and Meditation Facilitator. In the holistic wellbeing field for over 15 years. She runs a well-being business helping people to feel better and less stressed. Her work is now mainly focused on Sound Healing and Laughter for Wellbeing. Her clients include individuals, private groups, charities and global corporations.
For private groups and workplace wellbeing bookings please visithttp://laughteryogawellness.co.uk/contact/
Laughter Yoga Wellness UK www.laughteryogawellness.co.uk
Refund Policy
No refunds. If you can not make it on the day, you are welcome to transfer the space to a friend but let us know their details for our register.
Odette is also a Laughter Yoga Training Provider. Next 2 day leader training Course in October in Angel and Islington. http://laughteryogawellness.co.uk/event/laughter-yoga-leader-training-in-london/
Laughter, Fun, Games, Improvisation, Meditation, and Connection 🙂 Ho Ho Ha Ha
Laugh, Play, socialise and make new friends. Join us for our optional after Laugh Social where the conversation and laughter will continue to flow.
An hour of rib tickling deep belly laughter including child like playfulness, gibberish, improvisation, complete nonsense, meditation and dancing!!! followed by a Social at a local cafe or park.
Maximum 4 tickets per person.
Tickets on the day subject to availability £10.00 This week we are in the Upper Hall
For larger Group bookings please contact us for info and rates.
In a nutshell
Laughter yoga is a practice involving prolonged voluntary laughter along with breathing techniques that originate from Yoga. We usually laugh for between 3-5 seconds, in a laughter yoga session we will laugh for between 10-15 minutes, of deep belly laughter. This is the type of laughter that gives us all the health benefits and the benefits will remain with us for a good 24 hours after the session! The body reacts in the same way whether the laughter is forced or natural, releasing the endorphin’s (happy hormones). It is these endorphin’s that kick in and fight stress, boost our immune system and make us feel good in so many ways. Laughter yoga is experienced in groups, with eye contact, yogic breathing and playfulness between participants. All that is required of the participants is a Willingness to Laugh!
We sometimes have an Optional Social at a cafe after the workshop.
Stay as long or as short as you like. A chance to continue with conversation and laughter amongst new friends in a nearby cafe or pub.
What to bring
Wear something you are comfortable to move in and we will probably lie on the floor for a short ending mediation at some point! so if you like bring a Yoga/Camping Mat and cushion or you could roll your coat up and improvise! Bring some water or purchase from the bar. Laughter is thirsty work!
IMPORTANT PLEASE READ
Laughter Yoga is not a substitute for medical consultation for physical, mental and psychological illnesses, but is a powerful natural complementary form of healing. It is like any other aerobic exercise and may not be suitable for everyone as it involves some physical strain and a rise in intra-abdominal pressure.
Some people may have pre- existing medical conditions and one should take reasonable precaution before doing laughter exercises or indeed any form of exercise.
It is contraindicated for people suffering from: Any kind of hernia, Heart disease with angina pain, Persistent cough with breathlessness, Uncontrolled high blood pressure, Incontinence of urine, Epilepsy, Advanced (bleeding) piles and haemorrhoids or any bleeding tendencies in any part of the body, Severe backache, Any acute symptoms of cough, cold and fever. People who have undergone major surgery should wait at least three months before doing Laughter Yoga.
If in doubt first consult a medical professional for guidance. Anyone undergoing physician-prescribed therapy that experiences improvements through laughter should seek the advice of their doctor before reducing dosage or stopping treatment.
Click through to our Laughter Yoga London Website for more info and private group bookings.
www.laughteryogawellness.co.uk
#laughteryogalondon
Workshop Facilitator
Odette is a Laughter Yoga Leader, Reiki Master, Gong Master and Meditation Facilitator. In the holistic wellbeing field for over 15 years. She runs a well-being business helping people to feel better and less stressed. Her work is now mainly focused on Sound Healing and Laughter for Wellbeing. Her clients include individuals, private groups, charities and global corporations.
For private groups and workplace wellbeing bookings please visithttp://laughteryogawellness.co.uk/contact/
Laughter Yoga Wellness UK www.laughteryogawellness.co.uk
Refund Policy
No refunds. If you can not make it on the day, you are welcome to transfer the space to a friend but let us know their details for our register.
Odette is also a Laughter Yoga Training Provider. Next 2 day leader training Course in October in Angel and Islington. http://laughteryogawellness.co.uk/event/laughter-yoga-leader-training-in-london/