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Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.

Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.

To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.

One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.

All works are for sale, mostly priced from £400 to £4,000.

Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.

In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.

Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.

To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.

One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.

All works are for sale, mostly priced from £400 to £4,000.

Gallery Talk: On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Exhibition continues until 16 February and is free.

In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.

Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.

To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.

One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed. All works are for sale, mostly priced from £400 to £4,000.

Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Exhibition continues until 16 February and is free.

In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.

Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.

To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.

One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.

All works are for sale, mostly priced from £400 to £4,000.

Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.

In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.

Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.

To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.

One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.

All works are for sale, mostly priced from £400 to £4,000.

Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.

In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.

Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.

To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.

One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.

All works are for sale, mostly priced from £400 to £4,000.

Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.

In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.

Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.

To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.

One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.

All works are for sale, mostly priced from £400 to £4,000.

Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.

In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.

Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.

To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.

One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.

All works are for sale, mostly priced from £400 to £4,000.

Gallery Talk: On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Exhibition continues until 16 February and is free.

In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.

Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.

To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.

One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed. All works are for sale, mostly priced from £400 to £4,000.

Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Exhibition continues until 16 February and is free.

In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.

Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.

To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.

One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.

All works are for sale, mostly priced from £400 to £4,000.

Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.

In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.

Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.

To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.

One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.

All works are for sale, mostly priced from £400 to £4,000.

Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.

In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.

Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.

To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.

One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.

All works are for sale, mostly priced from £400 to £4,000.

Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.

Chopin and his patrons

Distinguished pianist Tomasz Lis will present the seventh concert in the series of Music At Unique Venues. The lecture recital will take place at Lauderdale House, build in 1582 during the reign of Elisabeth I. In 1645 the house was inherited by Earl of Lauderdale and visited by such notable people like Charles II, Samuel Pepys and Nell Gwyn.

During the evening Tomasz Lis will give a recital of Chopin’s music as well as discuss his most illustrious patrons, focusing his attention on the three most lavish and distinguished salons of the day ruled over by Harriet Lady Granville, Baroness Thérèse d’Apponyi and Baronne Betty de Rothschild.

The lecture recital will by illustrated with paintings by Jean-Auguste-Dominique Ingres and Eugène Delacroix. Wine will be served during the interval and the audience will have an exclusive access to the house and its surrounding gardens.

Programme:

Fantaisie Op.49 in F minor; Polonaise-Fantaisie Op.61 in A flat major; Mazurkas Op.59; Nocturnes Op.27; Nocturnes Op.62; Mazurkas Op.17.