STARTS 31 OCTOBER 2015. APPLICATIONS CLOSE MONDAY 28 SEPTEMBER 2015
We’re looking for people to share their knowledge and enthusiasm for Highgate Cemetery with our visitors.
Our new course runs over four Saturday mornings from 31st October 10.30am until about 1pm.
The course covers the founding and development of the Cemetery as well as some of the most famous people buried here. You’ll also learn tour guiding skills and cash handling so that you can contribute to a great visitor experience.
For more information on the role, visit http://highgatecemetery.org/help/volunteer
and read our Volunteer Tour Guide role description.
To apply, complete our Volunteer Application Form and return it to us by Monday 28 September 2015.
STARTS 31 OCTOBER 2015. APPLICATIONS CLOSE MONDAY 28 SEPTEMBER 2015
We’re looking for people to share their knowledge and enthusiasm for Highgate Cemetery with our visitors.
Our new course runs over four Saturday mornings from 31st October 10.30am until about 1pm.
The course covers the founding and development of the Cemetery as well as some of the most famous people buried here. You’ll also learn tour guiding skills and cash handling so that you can contribute to a great visitor experience.
For more information on the role, visit http://highgatecemetery.org/help/volunteer
and read our Volunteer Tour Guide role description.
To apply, complete our Volunteer Application Form and return it to us by Monday 28 September 2015.
STARTS 31 OCTOBER 2015. APPLICATIONS CLOSE MONDAY 28 SEPTEMBER 2015
We’re looking for people to share their knowledge and enthusiasm for Highgate Cemetery with our visitors.
Our new course runs over four Saturday mornings from 31st October 10.30am until about 1pm.
The course covers the founding and development of the Cemetery as well as some of the most famous people buried here. You’ll also learn tour guiding skills and cash handling so that you can contribute to a great visitor experience.
For more information on the role, visit http://highgatecemetery.org/help/volunteer
and read our Volunteer Tour Guide role description.
To apply, complete our Volunteer Application Form and return it to us by Monday 28 September 2015.
STARTS 31 OCTOBER 2015. APPLICATIONS CLOSE MONDAY 28 SEPTEMBER 2015
We’re looking for people to share their knowledge and enthusiasm for Highgate Cemetery with our visitors.
Our new course runs over four Saturday mornings from 31st October 10.30am until about 1pm.
The course covers the founding and development of the Cemetery as well as some of the most famous people buried here. You’ll also learn tour guiding skills and cash handling so that you can contribute to a great visitor experience.
For more information on the role, visit http://highgatecemetery.org/help/volunteer
and read our Volunteer Tour Guide role description.
To apply, complete our Volunteer Application Form and return it to us by Monday 28 September 2015.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Together with specialist craft gallery Thrown, OmVed Gardens is thrilled to present ‘Alchemy’, an exhibition curated for London Craft Week that intertwines the transformative elements of craftsmanship and nature.
Set amongst the metal-gridded glasshouse and restorative ecosystem of OmVed Gardens, ‘Alchemy’ brings together works in ceramics, mixed media and print-making to celebrate the union of human creativity and the dynamic, rhythmic forces inherent in the natural world.
The exhibition revolves around process, and human’s ability to transform material and work with nature in ways that express our deep entwinement with the more-than-human.
Full artists list:
Kim Colebrook, Tim Copsey, Diane Griffin, Rosalind Hobley, María Ignacia Walker, Alice McCabe, Victoria Louise Meadows, Faith Mowbray, Esther Palmer, Jo Pearl and Marek Pitera.
Opening Times:
Wednesday to Saturday, 11am to 5pm
Sundays, 12pm to 5pm
Together with specialist craft gallery Thrown, OmVed Gardens is thrilled to present ‘Alchemy’, an exhibition curated for London Craft Week that intertwines the transformative elements of craftsmanship and nature.
Set amongst the metal-gridded glasshouse and restorative ecosystem of OmVed Gardens, ‘Alchemy’ brings together works in ceramics, mixed media and print-making to celebrate the union of human creativity and the dynamic, rhythmic forces inherent in the natural world.
The exhibition revolves around process, and human’s ability to transform material and work with nature in ways that express our deep entwinement with the more-than-human.
Full artists list:
Kim Colebrook, Tim Copsey, Diane Griffin, Rosalind Hobley, María Ignacia Walker, Alice McCabe, Victoria Louise Meadows, Faith Mowbray, Esther Palmer, Jo Pearl and Marek Pitera.
Opening Times:
Wednesday to Saturday, 11am to 5pm
Sundays, 12pm to 5pm
Together with specialist craft gallery Thrown, OmVed Gardens is thrilled to present ‘Alchemy’, an exhibition curated for London Craft Week that intertwines the transformative elements of craftsmanship and nature.
Set amongst the metal-gridded glasshouse and restorative ecosystem of OmVed Gardens, ‘Alchemy’ brings together works in ceramics, mixed media and print-making to celebrate the union of human creativity and the dynamic, rhythmic forces inherent in the natural world.
The exhibition revolves around process, and human’s ability to transform material and work with nature in ways that express our deep entwinement with the more-than-human.
Full artists list:
Kim Colebrook, Tim Copsey, Diane Griffin, Rosalind Hobley, María Ignacia Walker, Alice McCabe, Victoria Louise Meadows, Faith Mowbray, Esther Palmer, Jo Pearl and Marek Pitera.
Opening Times:
Wednesday to Saturday, 11am to 5pm
Sundays, 12pm to 5pm
Together with specialist craft gallery Thrown, OmVed Gardens is thrilled to present ‘Alchemy’, an exhibition curated for London Craft Week that intertwines the transformative elements of craftsmanship and nature.
Set amongst the metal-gridded glasshouse and restorative ecosystem of OmVed Gardens, ‘Alchemy’ brings together works in ceramics, mixed media and print-making to celebrate the union of human creativity and the dynamic, rhythmic forces inherent in the natural world.
The exhibition revolves around process, and human’s ability to transform material and work with nature in ways that express our deep entwinement with the more-than-human.
Full artists list:
Kim Colebrook, Tim Copsey, Diane Griffin, Rosalind Hobley, María Ignacia Walker, Alice McCabe, Victoria Louise Meadows, Faith Mowbray, Esther Palmer, Jo Pearl and Marek Pitera.
Opening Times:
Wednesday to Saturday, 11am to 5pm
Sundays, 12pm to 5pm
Together with specialist craft gallery Thrown, OmVed Gardens is thrilled to present ‘Alchemy’, an exhibition curated for London Craft Week that intertwines the transformative elements of craftsmanship and nature.
Set amongst the metal-gridded glasshouse and restorative ecosystem of OmVed Gardens, ‘Alchemy’ brings together works in ceramics, mixed media and print-making to celebrate the union of human creativity and the dynamic, rhythmic forces inherent in the natural world.
The exhibition revolves around process, and human’s ability to transform material and work with nature in ways that express our deep entwinement with the more-than-human.
Full artists list:
Kim Colebrook, Tim Copsey, Diane Griffin, Rosalind Hobley, María Ignacia Walker, Alice McCabe, Victoria Louise Meadows, Faith Mowbray, Esther Palmer, Jo Pearl and Marek Pitera.
Opening Times:
Wednesday to Saturday, 11am to 5pm
Sundays, 12pm to 5pm
Together with specialist craft gallery Thrown, OmVed Gardens is thrilled to present ‘Alchemy’, an exhibition curated for London Craft Week that intertwines the transformative elements of craftsmanship and nature.
Set amongst the metal-gridded glasshouse and restorative ecosystem of OmVed Gardens, ‘Alchemy’ brings together works in ceramics, mixed media and print-making to celebrate the union of human creativity and the dynamic, rhythmic forces inherent in the natural world.
The exhibition revolves around process, and human’s ability to transform material and work with nature in ways that express our deep entwinement with the more-than-human.
Full artists list:
Kim Colebrook, Tim Copsey, Diane Griffin, Rosalind Hobley, María Ignacia Walker, Alice McCabe, Victoria Louise Meadows, Faith Mowbray, Esther Palmer, Jo Pearl and Marek Pitera.
Opening Times:
Wednesday to Saturday, 11am to 5pm
Sundays, 12pm to 5pm
Together with specialist craft gallery Thrown, OmVed Gardens is thrilled to present ‘Alchemy’, an exhibition curated for London Craft Week that intertwines the transformative elements of craftsmanship and nature.
Set amongst the metal-gridded glasshouse and restorative ecosystem of OmVed Gardens, ‘Alchemy’ brings together works in ceramics, mixed media and print-making to celebrate the union of human creativity and the dynamic, rhythmic forces inherent in the natural world.
The exhibition revolves around process, and human’s ability to transform material and work with nature in ways that express our deep entwinement with the more-than-human.
Full artists list:
Kim Colebrook, Tim Copsey, Diane Griffin, Rosalind Hobley, María Ignacia Walker, Alice McCabe, Victoria Louise Meadows, Faith Mowbray, Esther Palmer, Jo Pearl and Marek Pitera.
Opening Times:
Wednesday to Saturday, 11am to 5pm
Sundays, 12pm to 5pm
Together with specialist craft gallery Thrown, OmVed Gardens is thrilled to present ‘Alchemy’, an exhibition curated for London Craft Week that intertwines the transformative elements of craftsmanship and nature.
Set amongst the metal-gridded glasshouse and restorative ecosystem of OmVed Gardens, ‘Alchemy’ brings together works in ceramics, mixed media and print-making to celebrate the union of human creativity and the dynamic, rhythmic forces inherent in the natural world.
The exhibition revolves around process, and human’s ability to transform material and work with nature in ways that express our deep entwinement with the more-than-human.
Full artists list:
Kim Colebrook, Tim Copsey, Diane Griffin, Rosalind Hobley, María Ignacia Walker, Alice McCabe, Victoria Louise Meadows, Faith Mowbray, Esther Palmer, Jo Pearl and Marek Pitera.
Opening Times:
Wednesday to Saturday, 11am to 5pm
Sundays, 12pm to 5pm
Together with specialist craft gallery Thrown, OmVed Gardens is thrilled to present ‘Alchemy’, an exhibition curated for London Craft Week that intertwines the transformative elements of craftsmanship and nature.
Set amongst the metal-gridded glasshouse and restorative ecosystem of OmVed Gardens, ‘Alchemy’ brings together works in ceramics, mixed media and print-making to celebrate the union of human creativity and the dynamic, rhythmic forces inherent in the natural world.
The exhibition revolves around process, and human’s ability to transform material and work with nature in ways that express our deep entwinement with the more-than-human.
Full artists list:
Kim Colebrook, Tim Copsey, Diane Griffin, Rosalind Hobley, María Ignacia Walker, Alice McCabe, Victoria Louise Meadows, Faith Mowbray, Esther Palmer, Jo Pearl and Marek Pitera.
Opening Times:
Wednesday to Saturday, 11am to 5pm
Sundays, 12pm to 5pm
Together with specialist craft gallery Thrown, OmVed Gardens is thrilled to present ‘Alchemy’, an exhibition curated for London Craft Week that intertwines the transformative elements of craftsmanship and nature.
Set amongst the metal-gridded glasshouse and restorative ecosystem of OmVed Gardens, ‘Alchemy’ brings together works in ceramics, mixed media and print-making to celebrate the union of human creativity and the dynamic, rhythmic forces inherent in the natural world.
The exhibition revolves around process, and human’s ability to transform material and work with nature in ways that express our deep entwinement with the more-than-human.
Full artists list:
Kim Colebrook, Tim Copsey, Diane Griffin, Rosalind Hobley, María Ignacia Walker, Alice McCabe, Victoria Louise Meadows, Faith Mowbray, Esther Palmer, Jo Pearl and Marek Pitera.
Opening Times:
Wednesday to Saturday, 11am to 5pm
Sundays, 12pm to 5pm
Together with specialist craft gallery Thrown, OmVed Gardens is thrilled to present ‘Alchemy’, an exhibition curated for London Craft Week that intertwines the transformative elements of craftsmanship and nature.
Set amongst the metal-gridded glasshouse and restorative ecosystem of OmVed Gardens, ‘Alchemy’ brings together works in ceramics, mixed media and print-making to celebrate the union of human creativity and the dynamic, rhythmic forces inherent in the natural world.
The exhibition revolves around process, and human’s ability to transform material and work with nature in ways that express our deep entwinement with the more-than-human.
Full artists list:
Kim Colebrook, Tim Copsey, Diane Griffin, Rosalind Hobley, María Ignacia Walker, Alice McCabe, Victoria Louise Meadows, Faith Mowbray, Esther Palmer, Jo Pearl and Marek Pitera.
Opening Times:
Wednesday to Saturday, 11am to 5pm
Sundays, 12pm to 5pm
Together with specialist craft gallery Thrown, OmVed Gardens is thrilled to present ‘Alchemy’, an exhibition curated for London Craft Week that intertwines the transformative elements of craftsmanship and nature.
Set amongst the metal-gridded glasshouse and restorative ecosystem of OmVed Gardens, ‘Alchemy’ brings together works in ceramics, mixed media and print-making to celebrate the union of human creativity and the dynamic, rhythmic forces inherent in the natural world.
The exhibition revolves around process, and human’s ability to transform material and work with nature in ways that express our deep entwinement with the more-than-human.
Full artists list:
Kim Colebrook, Tim Copsey, Diane Griffin, Rosalind Hobley, María Ignacia Walker, Alice McCabe, Victoria Louise Meadows, Faith Mowbray, Esther Palmer, Jo Pearl and Marek Pitera.
Opening Times:
Wednesday to Saturday, 11am to 5pm
Sundays, 12pm to 5pm