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Book by Neil Simon
Music by Marvin Hamlisch (A Chorus Line)
Lyrics by David Zippel (City of Angels)
Directed by Adam Lenson

Spiezak productions presents the first London revival of The Goodbye Girl. A musical from the writers of The Odd Couple, A Chorus Line and City of Angels.

Paula McFaden is an out of work dancer, the wrong side of thirty, who has watched too many men say goodbye. When hapless actor Elliot Garfield knocks on the door of her New York apartment, his dreams of stardom and her dreams of stability become a shared nightmare.

The Goodbye Girl is a wry, comic musical about letting go of your baggage and learning to love the unexpected. It is based on Neil Simon‘s Academy Award and Golden Globe award winning film and features the same unique humour that has made Simon the most popular playwright in Broadway History, fused with a vibrant, cinematic score that stands among Hamlisch‘s strongest work.

Director: Adam Lenson
Set and Costume Design: Suzi Lombardelli
Musical Director: Richard Bates
Choreography: Claira Vaughan
Lighting Design: Aaron J Dootson

Peformances:
Tuesdays – Saturdays 7.30pm
Matinees: Saturdays 7th, 14th & 28th at 3pm & Sundays 15th & 22nd at 4pm

Tickets:
Previews 4th & 5th Feb – £15
Full Price – £18-£22
Concessions – £16-£20

Book by Neil Simon
Music by Marvin Hamlisch (A Chorus Line)
Lyrics by David Zippel (City of Angels)
Directed by Adam Lenson

Spiezak productions presents the first London revival of The Goodbye Girl. A musical from the writers of The Odd Couple, A Chorus Line and City of Angels.

Paula McFaden is an out of work dancer, the wrong side of thirty, who has watched too many men say goodbye. When hapless actor Elliot Garfield knocks on the door of her New York apartment, his dreams of stardom and her dreams of stability become a shared nightmare.

The Goodbye Girl is a wry, comic musical about letting go of your baggage and learning to love the unexpected. It is based on Neil Simon‘s Academy Award and Golden Globe award winning film and features the same unique humour that has made Simon the most popular playwright in Broadway History, fused with a vibrant, cinematic score that stands among Hamlisch‘s strongest work.

Director: Adam Lenson
Set and Costume Design: Suzi Lombardelli
Musical Director: Richard Bates
Choreography: Claira Vaughan
Lighting Design: Aaron J Dootson

Peformances:
Tuesdays – Saturdays 7.30pm
Matinees: Saturdays 7th, 14th & 28th at 3pm & Sundays 15th & 22nd at 4pm

Tickets:
Previews 4th & 5th Feb – £15
Full Price – £18-£22
Concessions – £16-£20

Book by Neil Simon
Music by Marvin Hamlisch (A Chorus Line)
Lyrics by David Zippel (City of Angels)
Directed by Adam Lenson

Spiezak productions presents the first London revival of The Goodbye Girl. A musical from the writers of The Odd Couple, A Chorus Line and City of Angels.

Paula McFaden is an out of work dancer, the wrong side of thirty, who has watched too many men say goodbye. When hapless actor Elliot Garfield knocks on the door of her New York apartment, his dreams of stardom and her dreams of stability become a shared nightmare.

The Goodbye Girl is a wry, comic musical about letting go of your baggage and learning to love the unexpected. It is based on Neil Simon‘s Academy Award and Golden Globe award winning film and features the same unique humour that has made Simon the most popular playwright in Broadway History, fused with a vibrant, cinematic score that stands among Hamlisch‘s strongest work.

Director: Adam Lenson
Set and Costume Design: Suzi Lombardelli
Musical Director: Richard Bates
Choreography: Claira Vaughan
Lighting Design: Aaron J Dootson

Peformances:
Tuesdays – Saturdays 7.30pm
Matinees: Saturdays 7th, 14th & 28th at 3pm & Sundays 15th & 22nd at 4pm

Tickets:
Previews 4th & 5th Feb – £15
Full Price – £18-£22
Concessions – £16-£20

Book by Neil Simon
Music by Marvin Hamlisch (A Chorus Line)
Lyrics by David Zippel (City of Angels)
Directed by Adam Lenson

Spiezak productions presents the first London revival of The Goodbye Girl. A musical from the writers of The Odd Couple, A Chorus Line and City of Angels.

Paula McFaden is an out of work dancer, the wrong side of thirty, who has watched too many men say goodbye. When hapless actor Elliot Garfield knocks on the door of her New York apartment, his dreams of stardom and her dreams of stability become a shared nightmare.

The Goodbye Girl is a wry, comic musical about letting go of your baggage and learning to love the unexpected. It is based on Neil Simon‘s Academy Award and Golden Globe award winning film and features the same unique humour that has made Simon the most popular playwright in Broadway History, fused with a vibrant, cinematic score that stands among Hamlisch‘s strongest work.

Director: Adam Lenson
Set and Costume Design: Suzi Lombardelli
Musical Director: Richard Bates
Choreography: Claira Vaughan
Lighting Design: Aaron J Dootson

Peformances:
Tuesdays – Saturdays 7.30pm
Matinees: Saturdays 7th, 14th & 28th at 3pm & Sundays 15th & 22nd at 4pm

Tickets:
Previews 4th & 5th Feb – £15
Full Price – £18-£22
Concessions – £16-£20

Book by Neil Simon
Music by Marvin Hamlisch (A Chorus Line)
Lyrics by David Zippel (City of Angels)
Directed by Adam Lenson

Spiezak productions presents the first London revival of The Goodbye Girl. A musical from the writers of The Odd Couple, A Chorus Line and City of Angels.

Paula McFaden is an out of work dancer, the wrong side of thirty, who has watched too many men say goodbye. When hapless actor Elliot Garfield knocks on the door of her New York apartment, his dreams of stardom and her dreams of stability become a shared nightmare.

The Goodbye Girl is a wry, comic musical about letting go of your baggage and learning to love the unexpected. It is based on Neil Simon‘s Academy Award and Golden Globe award winning film and features the same unique humour that has made Simon the most popular playwright in Broadway History, fused with a vibrant, cinematic score that stands among Hamlisch‘s strongest work.

Director: Adam Lenson
Set and Costume Design: Suzi Lombardelli
Musical Director: Richard Bates
Choreography: Claira Vaughan
Lighting Design: Aaron J Dootson

Peformances:
Tuesdays – Saturdays 7.30pm
Matinees: Saturdays 7th, 14th & 28th at 3pm & Sundays 15th & 22nd at 4pm

Tickets:
Previews 4th & 5th Feb – £15
Full Price – £18-£22
Concessions – £16-£20

Book by Neil Simon
Music by Marvin Hamlisch (A Chorus Line)
Lyrics by David Zippel (City of Angels)
Directed by Adam Lenson

Spiezak productions presents the first London revival of The Goodbye Girl. A musical from the writers of The Odd Couple, A Chorus Line and City of Angels.

Paula McFaden is an out of work dancer, the wrong side of thirty, who has watched too many men say goodbye. When hapless actor Elliot Garfield knocks on the door of her New York apartment, his dreams of stardom and her dreams of stability become a shared nightmare.

The Goodbye Girl is a wry, comic musical about letting go of your baggage and learning to love the unexpected. It is based on Neil Simon‘s Academy Award and Golden Globe award winning film and features the same unique humour that has made Simon the most popular playwright in Broadway History, fused with a vibrant, cinematic score that stands among Hamlisch‘s strongest work.

Director: Adam Lenson
Set and Costume Design: Suzi Lombardelli
Musical Director: Richard Bates
Choreography: Claira Vaughan
Lighting Design: Aaron J Dootson

Peformances:
Tuesdays – Saturdays 7.30pm
Matinees: Saturdays 7th, 14th & 28th at 3pm & Sundays 15th & 22nd at 4pm

Tickets:
Previews 4th & 5th Feb – £15
Full Price – £18-£22
Concessions – £16-£20

Tuesdays – Saturdays 7.30pm
Matinees:
Sunday 8th at 4pm & 7pm; Saturday 14th at 3pm; & Sunday 15th at 4pm

After a sell out run of The Jewish Legacy celebrating the Jewish contribution to musical theatre, Aria Entertainment returns with a new production; The Jewish Legends.
A celebration of some of the greatest Jewish performers in entertainment history!

Why did American Jews find such success in the world of entertainment? Because they arrived in America in the late nineteenth century with nothing but a gift to peddle. And what better to peddle than a song, a dance or a comic routine.

This show uniquely explores a century of song, dance and comedy with a nod to some legendary performers such as Barbra Streisand, Al Jolson, Bette Midler, Sophie Tucker, Fanny Brice, Zero Mostel and Groucho Marx. Song writers include Burt Bacharach, Carole King, and Leonard Cohen.

Their songs, their lives, their stories.

Featuring a cast of four fantastic singers; Steve Serlin, Martin Neely, Joanna Lee, Molly Marie Walsh and a live band.

Written by Chris Burgess
Directed by Stewart Nicholls
Arrangements by Andy Collyer
Produced by Katy Lipson

Tickets:
Tuesdays & Wednesdays: £14/£12 concessions
Thursdays, Fridays & Matinees: £16/£14 concessions
Saturday Nights: £18/£16 concessions

Tuesdays – Saturdays 7.30pm
Matinees:
Sunday 8th at 4pm & 7pm; Saturday 14th at 3pm; & Sunday 15th at 4pm

After a sell out run of The Jewish Legacy celebrating the Jewish contribution to musical theatre, Aria Entertainment returns with a new production; The Jewish Legends.
A celebration of some of the greatest Jewish performers in entertainment history!

Why did American Jews find such success in the world of entertainment? Because they arrived in America in the late nineteenth century with nothing but a gift to peddle. And what better to peddle than a song, a dance or a comic routine.

This show uniquely explores a century of song, dance and comedy with a nod to some legendary performers such as Barbra Streisand, Al Jolson, Bette Midler, Sophie Tucker, Fanny Brice, Zero Mostel and Groucho Marx. Song writers include Burt Bacharach, Carole King, and Leonard Cohen.

Their songs, their lives, their stories.

Featuring a cast of four fantastic singers; Steve Serlin, Martin Neely, Joanna Lee, Molly Marie Walsh and a live band.

Written by Chris Burgess
Directed by Stewart Nicholls
Arrangements by Andy Collyer
Produced by Katy Lipson

Tickets:
Tuesdays & Wednesdays: £14/£12 concessions
Thursdays, Fridays & Matinees: £16/£14 concessions
Saturday Nights: £18/£16 concessions

Tuesdays – Saturdays 7.30pm
Matinees:
Sunday 8th at 4pm & 7pm; Saturday 14th at 3pm; & Sunday 15th at 4pm

After a sell out run of The Jewish Legacy celebrating the Jewish contribution to musical theatre, Aria Entertainment returns with a new production; The Jewish Legends.
A celebration of some of the greatest Jewish performers in entertainment history!

Why did American Jews find such success in the world of entertainment? Because they arrived in America in the late nineteenth century with nothing but a gift to peddle. And what better to peddle than a song, a dance or a comic routine.

This show uniquely explores a century of song, dance and comedy with a nod to some legendary performers such as Barbra Streisand, Al Jolson, Bette Midler, Sophie Tucker, Fanny Brice, Zero Mostel and Groucho Marx. Song writers include Burt Bacharach, Carole King, and Leonard Cohen.

Their songs, their lives, their stories.

Featuring a cast of four fantastic singers; Steve Serlin, Martin Neely, Joanna Lee, Molly Marie Walsh and a live band.

Written by Chris Burgess
Directed by Stewart Nicholls
Arrangements by Andy Collyer
Produced by Katy Lipson

Tickets:
Tuesdays & Wednesdays: £14/£12 concessions
Thursdays, Fridays & Matinees: £16/£14 concessions
Saturday Nights: £18/£16 concessions

Tuesdays – Saturdays 7.30pm
Matinees:
Sunday 8th at 4pm & 7pm; Saturday 14th at 3pm; & Sunday 15th at 4pm

After a sell out run of The Jewish Legacy celebrating the Jewish contribution to musical theatre, Aria Entertainment returns with a new production; The Jewish Legends.
A celebration of some of the greatest Jewish performers in entertainment history!

Why did American Jews find such success in the world of entertainment? Because they arrived in America in the late nineteenth century with nothing but a gift to peddle. And what better to peddle than a song, a dance or a comic routine.

This show uniquely explores a century of song, dance and comedy with a nod to some legendary performers such as Barbra Streisand, Al Jolson, Bette Midler, Sophie Tucker, Fanny Brice, Zero Mostel and Groucho Marx. Song writers include Burt Bacharach, Carole King, and Leonard Cohen.

Their songs, their lives, their stories.

Featuring a cast of four fantastic singers; Steve Serlin, Martin Neely, Joanna Lee, Molly Marie Walsh and a live band.

Written by Chris Burgess
Directed by Stewart Nicholls
Arrangements by Andy Collyer
Produced by Katy Lipson

Tickets:
Tuesdays & Wednesdays: £14/£12 concessions
Thursdays, Fridays & Matinees: £16/£14 concessions
Saturday Nights: £18/£16 concessions

Tuesdays – Saturdays 7.30pm
Matinees:
Sunday 8th at 4pm & 7pm; Saturday 14th at 3pm; & Sunday 15th at 4pm

After a sell out run of The Jewish Legacy celebrating the Jewish contribution to musical theatre, Aria Entertainment returns with a new production; The Jewish Legends.
A celebration of some of the greatest Jewish performers in entertainment history!

Why did American Jews find such success in the world of entertainment? Because they arrived in America in the late nineteenth century with nothing but a gift to peddle. And what better to peddle than a song, a dance or a comic routine.

This show uniquely explores a century of song, dance and comedy with a nod to some legendary performers such as Barbra Streisand, Al Jolson, Bette Midler, Sophie Tucker, Fanny Brice, Zero Mostel and Groucho Marx. Song writers include Burt Bacharach, Carole King, and Leonard Cohen.

Their songs, their lives, their stories.

Featuring a cast of four fantastic singers; Steve Serlin, Martin Neely, Joanna Lee, Molly Marie Walsh and a live band.

Written by Chris Burgess
Directed by Stewart Nicholls
Arrangements by Andy Collyer
Produced by Katy Lipson

Tickets:
Tuesdays & Wednesdays: £14/£12 concessions
Thursdays, Fridays & Matinees: £16/£14 concessions
Saturday Nights: £18/£16 concessions

Tuesdays – Saturdays 7.30pm
Matinees:
Sunday 8th at 4pm & 7pm; Saturday 14th at 3pm; & Sunday 15th at 4pm

After a sell out run of The Jewish Legacy celebrating the Jewish contribution to musical theatre, Aria Entertainment returns with a new production; The Jewish Legends.
A celebration of some of the greatest Jewish performers in entertainment history!

Why did American Jews find such success in the world of entertainment? Because they arrived in America in the late nineteenth century with nothing but a gift to peddle. And what better to peddle than a song, a dance or a comic routine.

This show uniquely explores a century of song, dance and comedy with a nod to some legendary performers such as Barbra Streisand, Al Jolson, Bette Midler, Sophie Tucker, Fanny Brice, Zero Mostel and Groucho Marx. Song writers include Burt Bacharach, Carole King, and Leonard Cohen.

Their songs, their lives, their stories.

Featuring a cast of four fantastic singers; Steve Serlin, Martin Neely, Joanna Lee, Molly Marie Walsh and a live band.

Written by Chris Burgess
Directed by Stewart Nicholls
Arrangements by Andy Collyer
Produced by Katy Lipson

Tickets:
Tuesdays & Wednesdays: £14/£12 concessions
Thursdays, Fridays & Matinees: £16/£14 concessions
Saturday Nights: £18/£16 concessions

Tuesdays – Saturdays 7.30pm
Matinees:
Sunday 8th at 4pm & 7pm; Saturday 14th at 3pm; & Sunday 15th at 4pm

After a sell out run of The Jewish Legacy celebrating the Jewish contribution to musical theatre, Aria Entertainment returns with a new production; The Jewish Legends.
A celebration of some of the greatest Jewish performers in entertainment history!

Why did American Jews find such success in the world of entertainment? Because they arrived in America in the late nineteenth century with nothing but a gift to peddle. And what better to peddle than a song, a dance or a comic routine.

This show uniquely explores a century of song, dance and comedy with a nod to some legendary performers such as Barbra Streisand, Al Jolson, Bette Midler, Sophie Tucker, Fanny Brice, Zero Mostel and Groucho Marx. Song writers include Burt Bacharach, Carole King, and Leonard Cohen.

Their songs, their lives, their stories.

Featuring a cast of four fantastic singers; Steve Serlin, Martin Neely, Joanna Lee, Molly Marie Walsh and a live band.

Written by Chris Burgess
Directed by Stewart Nicholls
Arrangements by Andy Collyer
Produced by Katy Lipson

Tickets:
Tuesdays & Wednesdays: £14/£12 concessions
Thursdays, Fridays & Matinees: £16/£14 concessions
Saturday Nights: £18/£16 concessions

Tuesdays – Saturdays 7.30pm
Matinees:
Sunday 8th at 4pm & 7pm; Saturday 14th at 3pm; & Sunday 15th at 4pm

After a sell out run of The Jewish Legacy celebrating the Jewish contribution to musical theatre, Aria Entertainment returns with a new production; The Jewish Legends.
A celebration of some of the greatest Jewish performers in entertainment history!

Why did American Jews find such success in the world of entertainment? Because they arrived in America in the late nineteenth century with nothing but a gift to peddle. And what better to peddle than a song, a dance or a comic routine.

This show uniquely explores a century of song, dance and comedy with a nod to some legendary performers such as Barbra Streisand, Al Jolson, Bette Midler, Sophie Tucker, Fanny Brice, Zero Mostel and Groucho Marx. Song writers include Burt Bacharach, Carole King, and Leonard Cohen.

Their songs, their lives, their stories.

Featuring a cast of four fantastic singers; Steve Serlin, Martin Neely, Joanna Lee, Molly Marie Walsh and a live band.

Written by Chris Burgess
Directed by Stewart Nicholls
Arrangements by Andy Collyer
Produced by Katy Lipson

Tickets:
Tuesdays & Wednesdays: £14/£12 concessions
Thursdays, Fridays & Matinees: £16/£14 concessions
Saturday Nights: £18/£16 concessions

Tuesdays – Saturdays 7.30pm
Matinees:
Sunday 8th at 4pm & 7pm; Saturday 14th at 3pm; & Sunday 15th at 4pm

After a sell out run of The Jewish Legacy celebrating the Jewish contribution to musical theatre, Aria Entertainment returns with a new production; The Jewish Legends.
A celebration of some of the greatest Jewish performers in entertainment history!

Why did American Jews find such success in the world of entertainment? Because they arrived in America in the late nineteenth century with nothing but a gift to peddle. And what better to peddle than a song, a dance or a comic routine.

This show uniquely explores a century of song, dance and comedy with a nod to some legendary performers such as Barbra Streisand, Al Jolson, Bette Midler, Sophie Tucker, Fanny Brice, Zero Mostel and Groucho Marx. Song writers include Burt Bacharach, Carole King, and Leonard Cohen.

Their songs, their lives, their stories.

Featuring a cast of four fantastic singers; Steve Serlin, Martin Neely, Joanna Lee, Molly Marie Walsh and a live band.

Written by Chris Burgess
Directed by Stewart Nicholls
Arrangements by Andy Collyer
Produced by Katy Lipson

Tickets:
Tuesdays & Wednesdays: £14/£12 concessions
Thursdays, Fridays & Matinees: £16/£14 concessions
Saturday Nights: £18/£16 concessions

Tuesdays – Saturdays 7.30pm
Matinees:
Sunday 8th at 4pm & 7pm; Saturday 14th at 3pm; & Sunday 15th at 4pm

After a sell out run of The Jewish Legacy celebrating the Jewish contribution to musical theatre, Aria Entertainment returns with a new production; The Jewish Legends.
A celebration of some of the greatest Jewish performers in entertainment history!

Why did American Jews find such success in the world of entertainment? Because they arrived in America in the late nineteenth century with nothing but a gift to peddle. And what better to peddle than a song, a dance or a comic routine.

This show uniquely explores a century of song, dance and comedy with a nod to some legendary performers such as Barbra Streisand, Al Jolson, Bette Midler, Sophie Tucker, Fanny Brice, Zero Mostel and Groucho Marx. Song writers include Burt Bacharach, Carole King, and Leonard Cohen.

Their songs, their lives, their stories.

Featuring a cast of four fantastic singers; Steve Serlin, Martin Neely, Joanna Lee, Molly Marie Walsh and a live band.

Written by Chris Burgess
Directed by Stewart Nicholls
Arrangements by Andy Collyer
Produced by Katy Lipson

Tickets:
Tuesdays & Wednesdays: £14/£12 concessions
Thursdays, Fridays & Matinees: £16/£14 concessions
Saturday Nights: £18/£16 concessions

Tuesdays – Saturdays 7.30pm
Matinees:
Sunday 8th at 4pm & 7pm; Saturday 14th at 3pm; & Sunday 15th at 4pm

After a sell out run of The Jewish Legacy celebrating the Jewish contribution to musical theatre, Aria Entertainment returns with a new production; The Jewish Legends.
A celebration of some of the greatest Jewish performers in entertainment history!

Why did American Jews find such success in the world of entertainment? Because they arrived in America in the late nineteenth century with nothing but a gift to peddle. And what better to peddle than a song, a dance or a comic routine.

This show uniquely explores a century of song, dance and comedy with a nod to some legendary performers such as Barbra Streisand, Al Jolson, Bette Midler, Sophie Tucker, Fanny Brice, Zero Mostel and Groucho Marx. Song writers include Burt Bacharach, Carole King, and Leonard Cohen.

Their songs, their lives, their stories.

Featuring a cast of four fantastic singers; Steve Serlin, Martin Neely, Joanna Lee, Molly Marie Walsh and a live band.

Written by Chris Burgess
Directed by Stewart Nicholls
Arrangements by Andy Collyer
Produced by Katy Lipson

Tickets:
Tuesdays & Wednesdays: £14/£12 concessions
Thursdays, Fridays & Matinees: £16/£14 concessions
Saturday Nights: £18/£16 concessions

Tuesdays – Saturdays 7.30pm
Matinees:
Sunday 8th at 4pm & 7pm; Saturday 14th at 3pm; & Sunday 15th at 4pm

After a sell out run of The Jewish Legacy celebrating the Jewish contribution to musical theatre, Aria Entertainment returns with a new production; The Jewish Legends.
A celebration of some of the greatest Jewish performers in entertainment history!

Why did American Jews find such success in the world of entertainment? Because they arrived in America in the late nineteenth century with nothing but a gift to peddle. And what better to peddle than a song, a dance or a comic routine.

This show uniquely explores a century of song, dance and comedy with a nod to some legendary performers such as Barbra Streisand, Al Jolson, Bette Midler, Sophie Tucker, Fanny Brice, Zero Mostel and Groucho Marx. Song writers include Burt Bacharach, Carole King, and Leonard Cohen.

Their songs, their lives, their stories.

Featuring a cast of four fantastic singers; Steve Serlin, Martin Neely, Joanna Lee, Molly Marie Walsh and a live band.

Written by Chris Burgess
Directed by Stewart Nicholls
Arrangements by Andy Collyer
Produced by Katy Lipson

Tickets:
Tuesdays & Wednesdays: £14/£12 concessions
Thursdays, Fridays & Matinees: £16/£14 concessions
Saturday Nights: £18/£16 concessions

Tuesdays – Saturdays 7.30pm
Matinees:
Sunday 8th at 4pm & 7pm; Saturday 14th at 3pm; & Sunday 15th at 4pm

After a sell out run of The Jewish Legacy celebrating the Jewish contribution to musical theatre, Aria Entertainment returns with a new production; The Jewish Legends.
A celebration of some of the greatest Jewish performers in entertainment history!

Why did American Jews find such success in the world of entertainment? Because they arrived in America in the late nineteenth century with nothing but a gift to peddle. And what better to peddle than a song, a dance or a comic routine.

This show uniquely explores a century of song, dance and comedy with a nod to some legendary performers such as Barbra Streisand, Al Jolson, Bette Midler, Sophie Tucker, Fanny Brice, Zero Mostel and Groucho Marx. Song writers include Burt Bacharach, Carole King, and Leonard Cohen.

Their songs, their lives, their stories.

Featuring a cast of four fantastic singers; Steve Serlin, Martin Neely, Joanna Lee, Molly Marie Walsh and a live band.

Written by Chris Burgess
Directed by Stewart Nicholls
Arrangements by Andy Collyer
Produced by Katy Lipson

Tickets:
Tuesdays & Wednesdays: £14/£12 concessions
Thursdays, Fridays & Matinees: £16/£14 concessions
Saturday Nights: £18/£16 concessions

Tuesdays – Saturdays 7.30pm
Matinees:
Sunday 8th at 4pm & 7pm; Saturday 14th at 3pm; & Sunday 15th at 4pm

After a sell out run of The Jewish Legacy celebrating the Jewish contribution to musical theatre, Aria Entertainment returns with a new production; The Jewish Legends.
A celebration of some of the greatest Jewish performers in entertainment history!

Why did American Jews find such success in the world of entertainment? Because they arrived in America in the late nineteenth century with nothing but a gift to peddle. And what better to peddle than a song, a dance or a comic routine.

This show uniquely explores a century of song, dance and comedy with a nod to some legendary performers such as Barbra Streisand, Al Jolson, Bette Midler, Sophie Tucker, Fanny Brice, Zero Mostel and Groucho Marx. Song writers include Burt Bacharach, Carole King, and Leonard Cohen.

Their songs, their lives, their stories.

Featuring a cast of four fantastic singers; Steve Serlin, Martin Neely, Joanna Lee, Molly Marie Walsh and a live band.

Written by Chris Burgess
Directed by Stewart Nicholls
Arrangements by Andy Collyer
Produced by Katy Lipson

Tickets:
Tuesdays & Wednesdays: £14/£12 concessions
Thursdays, Fridays & Matinees: £16/£14 concessions
Saturday Nights: £18/£16 concessions

Thursday – Saturday 7.30pm
Sunday 22nd at 4pm

Charles Dickens neglected his children, disgraced his wife, kept a mistress half his age, frequented brothels, practised hypnosis on impressionable ladies and humiliated his friends! But none of these are surprising enough to feature in The Secret World of Charles Dickens: a show that reveals Charles Dickens to have been a clandestine conjurer and even asks whether he was a Spiritualist on the quiet.

Ian Keable, winner of The Magic Circle Comedy Award, performs the favourite magic tricks of Charles Dickens and divulges the spooky practices of Victorian psychics. Sub-titled ‘mirth, marvels and the mysterious’, The Secret World of Charles Dickens delivers on all of these: so much so that you don’t need to have read a word of Dickens to discover an intriguing and fascinating side to this great writer’s personality.

The Secret World of Charles Dickens premiered at The Charles Dickens Museum in London.

www.charlesdickensmysteryshow.co.uk

Tickets:
Thursday, Friday & Sunday: £14/£12 concessions
Saturday: £16/£14 concessions

Thursday – Saturday 7.30pm
Sunday 22nd at 4pm

Charles Dickens neglected his children, disgraced his wife, kept a mistress half his age, frequented brothels, practised hypnosis on impressionable ladies and humiliated his friends! But none of these are surprising enough to feature in The Secret World of Charles Dickens: a show that reveals Charles Dickens to have been a clandestine conjurer and even asks whether he was a Spiritualist on the quiet.

Ian Keable, winner of The Magic Circle Comedy Award, performs the favourite magic tricks of Charles Dickens and divulges the spooky practices of Victorian psychics. Sub-titled ‘mirth, marvels and the mysterious’, The Secret World of Charles Dickens delivers on all of these: so much so that you don’t need to have read a word of Dickens to discover an intriguing and fascinating side to this great writer’s personality.

The Secret World of Charles Dickens premiered at The Charles Dickens Museum in London.

www.charlesdickensmysteryshow.co.uk

Tickets:
Thursday, Friday & Sunday: £14/£12 concessions
Saturday: £16/£14 concessions

Thursday – Saturday 7.30pm
Sunday 22nd at 4pm

Charles Dickens neglected his children, disgraced his wife, kept a mistress half his age, frequented brothels, practised hypnosis on impressionable ladies and humiliated his friends! But none of these are surprising enough to feature in The Secret World of Charles Dickens: a show that reveals Charles Dickens to have been a clandestine conjurer and even asks whether he was a Spiritualist on the quiet.

Ian Keable, winner of The Magic Circle Comedy Award, performs the favourite magic tricks of Charles Dickens and divulges the spooky practices of Victorian psychics. Sub-titled ‘mirth, marvels and the mysterious’, The Secret World of Charles Dickens delivers on all of these: so much so that you don’t need to have read a word of Dickens to discover an intriguing and fascinating side to this great writer’s personality.

The Secret World of Charles Dickens premiered at The Charles Dickens Museum in London.

www.charlesdickensmysteryshow.co.uk

Tickets:
Thursday, Friday & Sunday: £14/£12 concessions
Saturday: £16/£14 concessions

Thursday – Saturday 7.30pm
Sunday 22nd at 4pm

Charles Dickens neglected his children, disgraced his wife, kept a mistress half his age, frequented brothels, practised hypnosis on impressionable ladies and humiliated his friends! But none of these are surprising enough to feature in The Secret World of Charles Dickens: a show that reveals Charles Dickens to have been a clandestine conjurer and even asks whether he was a Spiritualist on the quiet.

Ian Keable, winner of The Magic Circle Comedy Award, performs the favourite magic tricks of Charles Dickens and divulges the spooky practices of Victorian psychics. Sub-titled ‘mirth, marvels and the mysterious’, The Secret World of Charles Dickens delivers on all of these: so much so that you don’t need to have read a word of Dickens to discover an intriguing and fascinating side to this great writer’s personality.

The Secret World of Charles Dickens premiered at The Charles Dickens Museum in London.

www.charlesdickensmysteryshow.co.uk

Tickets:
Thursday, Friday & Sunday: £14/£12 concessions
Saturday: £16/£14 concessions

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

The preview event for CONSTRUCTS.

CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.

CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.

CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.

CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.

Using key works from the LUX archive – the largest collection of artists film and video in the country – this short introductory course will trace and discuss artists’ engagement with the moving image throughout the 20th and 21st centuries, from the early pioneers of the 1920s to contemporary practitioners. We will explore through active discussion the relationship between art and cinema and the place and role of the moving image within contemporary visual arts today.

No previous knowledge is required, just a curiosity to see and find out more about this fascinating area of art practice.

Led by Maria Palacios Cruz, LUX Deputy Director.

LUX Deputy Director Maria Palacios Cruz is a curator and lecturer of avant-garde cinema and artists’ moving image. She has lectured at Kingston University, Central Saint Martins, Academie Royale des Beaux-Arts de Bruxelles and Ecole de Recherche Graphique.

This course is limited to 20 participants; please reserve your place by booking.

LUX is pleased to invite local residents, community groups and businesses to a free breakfast event at its building in Waterlow Park. Join us for coffee, tea and pastries, meet our team and other locals as well as visit our current exhibition. All welcome, drop in any time between 9 – 10.30am.

The current exhibition, BL CK B X: Alia Syed, presents Syed’s Wallpaper, a double screen film that was originally commissioned by the Glynn Vivian Art Gallery in 2008. Wallpaper is a performative documentary in which four generations of women in the artist’s family attempt to recreate a wallpaper design that was painted by Syed’s grandmother when the artist was a child. It features Syed, her daughter, mother, and grandmother, as well as her sister, artist-filmmaker Tanya Syed. Documenting the process in video and 16mm film, the five women take turns in the film’s technical roles (performer, director, camera operator), thus de-stabilizing the relationship between filmmaker and filmed subject, and the traditional generational hierarchy. The result is a self-reflexive and delicately layered film which deals with family, memory and subjectivity. Wallpaper is shown alongside a library display of Syed’s Points of Departure (2014) and A Story Told (2004).

6 -9pm
‘The day before Tomorrow;
Dreams of a summer
evening’ – film screening and
pop-up café event by LUX
and local Transition Towns
LUX, then Waterlow Park
Kitchen Garden
Free
www.transitionkentishtown.org.uk