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CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.

CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.

CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.  For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,  Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.  Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.  Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.  For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,  Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.  Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.  Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.  For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,  Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.  Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.  Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.  For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,  Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.  Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.  Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.