Marilyn Southey: How does your garden…?
Since the beginning of time, man has endeavoured to create places of tranquility in communication with nature, places to uplift the spirits: gardens. In this, her second exhibition at Highgate Gallery, Southey shows work inspired, for the most part, by her garden in London and her garden in France, which has been evolving over the last thirty years. There are also more recent local paintings, of which Southey comments: “I have enjoyed discovering little gardens in Highgate that make such a difference to the landscape”.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 06 June 2025 18:00-20:30
An exhibition of paintings and prints in celebration of gardens large and small, in rural and urban landscapes.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Marilyn Southey: How does your garden…?
Since the beginning of time, man has endeavoured to create places of tranquility in communication with nature, places to uplift the spirits: gardens. In this, her second exhibition at Highgate Gallery, Southey shows work inspired, for the most part, by her garden in London and her garden in France, which has been evolving over the last thirty years. There are also more recent local paintings, of which Southey comments: “I have enjoyed discovering little gardens in Highgate that make such a difference to the landscape”.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 06 June 2025 18:00-20:30
An exhibition of paintings and prints in celebration of gardens large and small, in rural and urban landscapes.
Marilyn Southey: How does your garden…?
Since the beginning of time, man has endeavoured to create places of tranquility in communication with nature, places to uplift the spirits: gardens. In this, her second exhibition at Highgate Gallery, Southey shows work inspired, for the most part, by her garden in London and her garden in France, which has been evolving over the last thirty years. There are also more recent local paintings, of which Southey comments: “I have enjoyed discovering little gardens in Highgate that make such a difference to the landscape”.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 06 June 2025 18:00-20:30
An exhibition of paintings and prints in celebration of gardens large and small, in rural and urban landscapes.
Marilyn Southey: How does your garden…?
Since the beginning of time, man has endeavoured to create places of tranquility in communication with nature, places to uplift the spirits: gardens. In this, her second exhibition at Highgate Gallery, Southey shows work inspired, for the most part, by her garden in London and her garden in France, which has been evolving over the last thirty years. There are also more recent local paintings, of which Southey comments: “I have enjoyed discovering little gardens in Highgate that make such a difference to the landscape”.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 06 June 2025 18:00-20:30
An exhibition of paintings and prints in celebration of gardens large and small, in rural and urban landscapes.
Retrofitting Old Buildings
Wednesday 11th June 2025
7.00 for 7.30 pm
10A South Grove N6 6BS and on Zoom
Entry £7.50 including a glass of wine (£3.00 on Zoom).
Marilyn Southey: How does your garden…?
Since the beginning of time, man has endeavoured to create places of tranquility in communication with nature, places to uplift the spirits: gardens. In this, her second exhibition at Highgate Gallery, Southey shows work inspired, for the most part, by her garden in London and her garden in France, which has been evolving over the last thirty years. There are also more recent local paintings, of which Southey comments: “I have enjoyed discovering little gardens in Highgate that make such a difference to the landscape”.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 06 June 2025 18:00-20:30
An exhibition of paintings and prints in celebration of gardens large and small, in rural and urban landscapes.
Join us for a joyous celebration of the blending of Brazilian rhythms, jazz attitude and the majestic compositions of Antonio Carlos Jobim, Joao Donato and Sergio Mendes.
Jazz Samba takes its inspiration and name from Stan Getz and Charlie Byrd’s ground-breaking 1962 album, the first ever fully-fledged bossa nova album recorded by American jazz musicians which topped the LP charts on its release and produced its own pop hit single – ‘Desafinado’.
Led by John Wilson’s star soloist Mark Crooks on sax and clarinet and the award-winning guitarist Nigel Price (as you’ve never heard him before!), with John Cervantes (piano), Marianne Windham (double bass) and Demi Garcia Sabat (drums/percussion).
Marilyn Southey: How does your garden…?
Since the beginning of time, man has endeavoured to create places of tranquility in communication with nature, places to uplift the spirits: gardens. In this, her second exhibition at Highgate Gallery, Southey shows work inspired, for the most part, by her garden in London and her garden in France, which has been evolving over the last thirty years. There are also more recent local paintings, of which Southey comments: “I have enjoyed discovering little gardens in Highgate that make such a difference to the landscape”.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 06 June 2025 18:00-20:30
An exhibition of paintings and prints in celebration of gardens large and small, in rural and urban landscapes.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Marilyn Southey: How does your garden…?
Since the beginning of time, man has endeavoured to create places of tranquility in communication with nature, places to uplift the spirits: gardens. In this, her second exhibition at Highgate Gallery, Southey shows work inspired, for the most part, by her garden in London and her garden in France, which has been evolving over the last thirty years. There are also more recent local paintings, of which Southey comments: “I have enjoyed discovering little gardens in Highgate that make such a difference to the landscape”.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 06 June 2025 18:00-20:30
An exhibition of paintings and prints in celebration of gardens large and small, in rural and urban landscapes.
Marilyn Southey: How does your garden…?
Since the beginning of time, man has endeavoured to create places of tranquility in communication with nature, places to uplift the spirits: gardens. In this, her second exhibition at Highgate Gallery, Southey shows work inspired, for the most part, by her garden in London and her garden in France, which has been evolving over the last thirty years. There are also more recent local paintings, of which Southey comments: “I have enjoyed discovering little gardens in Highgate that make such a difference to the landscape”.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 06 June 2025 18:00-20:30
An exhibition of paintings and prints in celebration of gardens large and small, in rural and urban landscapes.
Marilyn Southey: How does your garden…?
Since the beginning of time, man has endeavoured to create places of tranquility in communication with nature, places to uplift the spirits: gardens. In this, her second exhibition at Highgate Gallery, Southey shows work inspired, for the most part, by her garden in London and her garden in France, which has been evolving over the last thirty years. There are also more recent local paintings, of which Southey comments: “I have enjoyed discovering little gardens in Highgate that make such a difference to the landscape”.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 06 June 2025 18:00-20:30
An exhibition of paintings and prints in celebration of gardens large and small, in rural and urban landscapes.
Marilyn Southey: How does your garden…?
Since the beginning of time, man has endeavoured to create places of tranquility in communication with nature, places to uplift the spirits: gardens. In this, her second exhibition at Highgate Gallery, Southey shows work inspired, for the most part, by her garden in London and her garden in France, which has been evolving over the last thirty years. There are also more recent local paintings, of which Southey comments: “I have enjoyed discovering little gardens in Highgate that make such a difference to the landscape”.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 06 June 2025 18:00-20:30
An exhibition of paintings and prints in celebration of gardens large and small, in rural and urban landscapes.
Healthy Buildings, Healthy People
Why health and sustainability in construction go hand in hand
with Siri Zanelli, WELL AP RIBA ARB, Architect and Co-founder of Collective Works
Thursday 19th June 2025
6.45 for 7.00 pm
10A South Grove N6 6BS
Entry £5.00 including a glass of wine
To book click here.
Discover how designing for human health and environmental sustainability can, and should, go hand in hand in modern construction. Siri will explore the vital connections between indoor environments, wellbeing, and sustainable building practices, offering real-world insights into how architecture can serve people and the planet.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Enjoy an evening on the Tea Lawn with one of the world’s leading harpists and award winning sax: ‘Ukraine meets West Africa’ an evening on the Tea Lawn.
Harpist Alina Bzhezhinska joins tenor saxophonist Tony Kofi in a duo that unites the music styles of the Ukraine and West Africa and celebrates the harmony between the harp and the saxophone.
Undoubtedly one of the leading harpists in the world today, Alina Bzhezhinska (a.k.a. AlinaHipHarp) is a one-woman powerhouse on a mission to bring harp to the forefront of contemporary sound. Bzhezhinska is the creator of HipHarpCollective, who recently won the Parliamentary Jazz Award’s Best Ensemble of the Year 2024. The group’s double LP “Reflections” (BBE Music) won best album of the year 2023 by Preston Music and Alina Bzhezhinska’s Quartet was nominated for Best Live Act of the Year at JazzFM Awards 2017.
Tony Kofi is a multi award winning saxophonists, a recording career that has seen collaborations with Donald Byrd, Eddie Henderson, Abdullah Ibrahim and Ornette Coleman to name a few. Kofi’s solowork, in particular his 2020 album ‘A Different Kind Of Soul’ and his recently reissued ‘Plays Monk’ cement his reputation as one of the UK’s most accomplished saxophonists.
‘…Bzhezhinska shares with Alice (Coltrane) a mastery of the jazz harp.’ ★★★★★ The Times
‘There is so much respect in jazz circles for Tony Kofi.’ Jazzwise
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Finance meets sustainability
The hidden power of reporting
with Trisha Hutchinson
Thursday 3rd July 2025
6.45 for 7.00 pm
10A South Grove N6 6BS
Entry £5 including a glass of wine
To book click here.
Transparency is required to transition economies to a sustainable future – reporting allows investors to be the driving force. In this insightful session Trisha will illustrate how clear, consistent financial and ESG reporting empowers businesses to track, prove, and improve their environmental impact, unlocking meaningful change and allowing businesses and investors to lead the movement towards a sustainable economic system.
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Monday 6 Nov coffee computers 10 30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Dolly Shepherd – The Edwardian Lady Parachutist
Wednesday 9th July 2025
7.00 for 7.30 pm
10A South Grove N6 6BS and on Zoom
Entry £7.50 including a glass of wine (£3.00 on Zoom)
To book click here.
The fascinating story of a top-drawer star of our entertainment heritage at Alexandra Palace is Dolly Shepherd ‘The Edwardian Lady Parachutist’. Elizabeth, nicknamed Dolly, became famous for jumping out of balloons and floating back to earth in front of crowds of admirers. She was a daring performer who made her first and last jumps from Alexandra Park, North London but had a successful career nationally and unlike many of her aerial pioneer friends survived accidents, going on to serve in both the First and Second World Wars.
Kirsten Forrest is Curatorial and Interpretations Manager at the Alexandra Palace and Park Charitable Trust.
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
A playful evening of vocal performance with boundary-pushing singers Eleanor Westbrook and Oskar McCarthy, celebrating the radical spirit of 20th and 21st-century vocal music.
The programme explores pioneering works by Cage, Xenakis, and Aperghis, alongside daring reinterpretations of older music and contemporary works from both established and emerging composers. Featuring Ben Smith on piano, plus a balloon and a toy glockenspiel.
Eleanor Westbrook is an expressive interdisciplinary performer working at the intersection of opera, physical theatre, clowning, and experimental music. She has appeared across the UK and Europe, from the Edinburgh Fringe to Southbank Centre, and collaborated with companies such as Belarus Free Theatre, Waste Paper Opera Company, and Kneehigh Theatre. Her original works have been featured at Soho Theatre’s Fool’s Moon and the De La Warr Pavilion. Known for her visceral energy and surrealist storytelling, Eleanor is committed to reimagining classical forms through a contemporary lens. She is artistic director of TUFT, producing large-scale performance events in Hastings Castle and Caves, and is currently developing a multidisciplinary production of Titus Andronicus.
Oskar McCarthy is a dynamic actor-singer performing new music and old music in new ways. He has premiered operas by Avner Dorman, Robert Reid Allan and Bertie Baigent, and commissioned new work including Laura Bowler’s Lines, Letters and Disinformation for baritone and tape, performed at Snape Maltings and Café OTO. He has recorded works by Meredith Monk and Ion Marmarinos, improvised operatic monologues with composer/violist Zeo Fawcett, and collaborated with Rufus Elliot on durational six-hour vocal installations. A VOICEBOX alumnus, he trained at the Royal Conservatoire of Scotland and recently worked with the Royal Opera House’s Opera Lab, part of the Jette Parker Programme. He is co-Artistic Director of Festival Voices, performing at venues including Kings Place, Bold Tendencies, and Southbank Centre.
Join Ellie and Oskar on a voyage into the squelching heart of Contemporary Vocal Sünd.
Georges Aperghis Recitations 9 & 11 (1977)
John Cage Aria (1958)
Jonathan Cole TSS-k-haa (2008)
Liz Dilnot Johnson Pig (2022)
Cheryl Frances-Hoad Le Vampire (2021)
G. F. Handel Ah mio cor (1735 / 2025)
Chris Kirkham (arr.) Bonny at Morn (trad. / 2022)
Geoffrey Poole Heynonnynonny Smallprint (2009)
Iannis Xenakis Pour Maurice (1982)
Annelies Van Parys 3 Haiku’s (2012)
Errollyn Wallen Deadalus (2004)
Judith Weir Ständchen (1997)
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Monday 6 Nov coffee computers 10 30