Home

May
1
Thu
An Ideal Husband @ Upstairs At The Gatehouse
May 1 @ 7:30 pm – 9:30 pm

Sir Robert Chiltern is a successful government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears with evidence of a past he would rather hide. Sir Robert has to decide whether to yield to blackmail or risk exposing the origins of his wealth and position.

The themes of this play, which revolve around blackmail and political corruption, are as relevant now as they were when Oscar Wilde wrote the play 130 years ago.

May
3
Sat
An Ideal Husband @ Upstairs At The Gatehouse
May 3 @ 7:30 pm – 9:30 pm

Sir Robert Chiltern is a successful government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears with evidence of a past he would rather hide. Sir Robert has to decide whether to yield to blackmail or risk exposing the origins of his wealth and position.

The themes of this play, which revolve around blackmail and political corruption, are as relevant now as they were when Oscar Wilde wrote the play 130 years ago.

May
4
Sun
An Ideal Husband @ Upstairs At The Gatehouse
May 4 @ 7:30 pm – 9:30 pm

Sir Robert Chiltern is a successful government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears with evidence of a past he would rather hide. Sir Robert has to decide whether to yield to blackmail or risk exposing the origins of his wealth and position.

The themes of this play, which revolve around blackmail and political corruption, are as relevant now as they were when Oscar Wilde wrote the play 130 years ago.

May
6
Tue
The Behaviours of Posie Marshall @ Upstairs At The Gatehouse
May 6 @ 7:30 pm – 9:30 pm

Offie nominated writer Maeve O’Haire brings her one woman show ‘The Behaviours of Posie Marshall’ to stage, in which twenty-one characters come to life in a dark comedic setting. Posie Marshall leads us through 37 hours of her life, when the police find her in the footwell of a Range Rover. 

Posie ‘Po’ Marshall is a fun loving, slightly anxious, tag along who looks after her family and friends despite them not always reciprocating. Her brother Jason has a chequered past which has given the family a reputation. Follow Posie as she battles with her demons through house parties, uncomfortable conversations, eye opening realisations and a surprise visit to a custody cell. 

May
7
Wed
The Behaviours of Posie Marshall @ Upstairs At The Gatehouse
May 7 @ 7:30 pm – 9:30 pm

Offie nominated writer Maeve O’Haire brings her one woman show ‘The Behaviours of Posie Marshall’ to stage, in which twenty-one characters come to life in a dark comedic setting. Posie Marshall leads us through 37 hours of her life, when the police find her in the footwell of a Range Rover. 

Posie ‘Po’ Marshall is a fun loving, slightly anxious, tag along who looks after her family and friends despite them not always reciprocating. Her brother Jason has a chequered past which has given the family a reputation. Follow Posie as she battles with her demons through house parties, uncomfortable conversations, eye opening realisations and a surprise visit to a custody cell. 

May
8
Thu
The Behaviours of Posie Marshall @ Upstairs At The Gatehouse
May 8 @ 7:30 pm – 9:30 pm

Offie nominated writer Maeve O’Haire brings her one woman show ‘The Behaviours of Posie Marshall’ to stage, in which twenty-one characters come to life in a dark comedic setting. Posie Marshall leads us through 37 hours of her life, when the police find her in the footwell of a Range Rover. 

Posie ‘Po’ Marshall is a fun loving, slightly anxious, tag along who looks after her family and friends despite them not always reciprocating. Her brother Jason has a chequered past which has given the family a reputation. Follow Posie as she battles with her demons through house parties, uncomfortable conversations, eye opening realisations and a surprise visit to a custody cell. 

May
9
Fri
Before It Hits @ Upstairs At The Gatehouse
May 9 @ 7:30 pm – 9:30 pm

A new “New Musical” showcase, Before It Hits brings snapshots of six in-development musicals by some of the West End’s best emerging writers to Upstairs At The Gatehouse.

Hosted by standup comedian Farah Sharp (named ‘One to watch’ in the Funny Women Awards and featured on BBC Radio 4) and created by the team behind Olivier-nominated The Choir of Man, expect to see a variety of exciting new shows at various stages of their development. 

The first outing of Before It Hits is set to feature works by established West End writers, creatives and performers, and is guaranteed to be a scintillating evening promoting rising talent. 

May
10
Sat
Before It Hits @ Upstairs At The Gatehouse
May 10 @ 7:30 pm – 9:30 pm

A new “New Musical” showcase, Before It Hits brings snapshots of six in-development musicals by some of the West End’s best emerging writers to Upstairs At The Gatehouse.

Hosted by standup comedian Farah Sharp (named ‘One to watch’ in the Funny Women Awards and featured on BBC Radio 4) and created by the team behind Olivier-nominated The Choir of Man, expect to see a variety of exciting new shows at various stages of their development. 

The first outing of Before It Hits is set to feature works by established West End writers, creatives and performers, and is guaranteed to be a scintillating evening promoting rising talent. 

May
12
Mon
Magic at the Gatehouse @ Upstairs at the Gatehouse
May 12 @ 7:30 pm – 10:30 pm
Join us, once a season, for an evening of Magic at the Gatehouse presented by an exciting line-up of top magicians. Witness miracles manifest before your eyes in an intimate theatre that puts you at the heart of the magic.
May
16
Fri
My Name is Gef @ Upstairs At The Gatehouse
May 16 @ 2:30 pm – 4:30 pm
After a sell-out run at The Phoenix Arts ClubMY NAME IS GEF, a “hilarious, horrifying and thought-provoking” new actor-muso, folk-horror, comedy musical comes to workshop at Upstairs at the Gatehouse for two afternoons only!
 
1937. Renowned and ridiculed psychoanalyst Dr. Nandor Fodor has one last chance to prove himself to the scientific elites he longs to be accepted by. Sent to the remote Isle of Man, he’s tasked with investigating the paranormal events and spooky phenomena occurring on the Irving family farm, whose daughter claims to be haunted by the hideous and terrifying vision of… a talking mongoose called Gef (pronounced ‘Jeff’). What follows is a mystery investigating the supernatural, the human psyche, and what makes us hide our real selves. 
 
Based on the infamous true events, this actor-musician, multi-instrumental, folk musical by Wiltshire & Wells is a fast-paced, hilarious, and unbelievable story, adapted from (arguably) the world’s first viral sensation. A true old wives’ tale exploring the madness, the malignancy, and the mirth caused by one ghostly, muttering mongoose… the question is: how willing are you to BELIEVE? 
May
17
Sat
My Name is Gef @ Upstairs At The Gatehouse
May 17 @ 2:30 pm – 4:30 pm
After a sell-out run at The Phoenix Arts ClubMY NAME IS GEF, a “hilarious, horrifying and thought-provoking” new actor-muso, folk-horror, comedy musical comes to workshop at Upstairs at the Gatehouse for two afternoons only!
 
1937. Renowned and ridiculed psychoanalyst Dr. Nandor Fodor has one last chance to prove himself to the scientific elites he longs to be accepted by. Sent to the remote Isle of Man, he’s tasked with investigating the paranormal events and spooky phenomena occurring on the Irving family farm, whose daughter claims to be haunted by the hideous and terrifying vision of… a talking mongoose called Gef (pronounced ‘Jeff’). What follows is a mystery investigating the supernatural, the human psyche, and what makes us hide our real selves. 
 
Based on the infamous true events, this actor-musician, multi-instrumental, folk musical by Wiltshire & Wells is a fast-paced, hilarious, and unbelievable story, adapted from (arguably) the world’s first viral sensation. A true old wives’ tale exploring the madness, the malignancy, and the mirth caused by one ghostly, muttering mongoose… the question is: how willing are you to BELIEVE? 
May
18
Sun
Jeremy Sassoon’s MOJO 2 @ Upstairs At The Gatehouse
May 18 @ 7:30 pm – 9:00 pm

Following the massive success of his show “MOJO”, singer pianist Jeremy Sassoon proudly presents the sequel, ”MOJO 2” covering the music of another 40 iconic Jewish songwriters and artists, focusing largely on the vintage era of the 1960’s and ’70s.
The musical fare in MOJO 2 encompasses both A-list artists and the ‘unsung heroes’ and has a more alternative musical edge, featuring jazz and rock legends. Think Stan Getz, Marc Bolan, Marc Knopfler and Mama Cass. He also features some songwriters whose names you might not recognise at first, despite being familiar with all their songs that made such a huge impact in the world of entertainment.
Musical performance aside, Jeremy’s characteristic appeal is down to his fantastic rapport with audiences, his entertaining stories, surprising trivial facts and his penchant for sharing details of his own personal experiences.
Be prepared to be spellbound for 90 minutes of great music and fascinating storytelling.
May
20
Tue
Regarding Shelley @ Upstairs At The Gatehouse
May 20 @ 7:30 pm – 9:30 pm

Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.

The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions. 

Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.

May
21
Wed
Regarding Shelley @ Upstairs At The Gatehouse
May 21 @ 7:30 pm – 9:30 pm

Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.

The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions. 

Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.

May
22
Thu
Regarding Shelley @ Upstairs At The Gatehouse
May 22 @ 7:30 pm – 9:30 pm

Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.

The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions. 

Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.

May
23
Fri
Regarding Shelley @ Upstairs At The Gatehouse
May 23 @ 7:30 pm – 9:30 pm

Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.

The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions. 

Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.

May
24
Sat
Regarding Shelley @ Upstairs At The Gatehouse
May 24 @ 7:30 pm – 9:30 pm

Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.

The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions. 

Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.

May
25
Sun
Regarding Shelley @ Upstairs At The Gatehouse
May 25 @ 7:30 pm – 9:30 pm

Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.

The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions. 

Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.

May
27
Tue
Before Nell and After Agincourt @ Upstairs At The Gatehouse
May 27 @ 7:30 pm – 9:30 pm

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

May
28
Wed
Before Nell and After Agincourt @ Upstairs At The Gatehouse
May 28 @ 7:30 pm – 9:30 pm

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

May
29
Thu
Before Nell and After Agincourt @ Upstairs At The Gatehouse
May 29 @ 7:30 pm – 9:30 pm

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

May
30
Fri
Before Nell and After Agincourt @ Upstairs At The Gatehouse
May 30 @ 7:30 pm – 9:30 pm

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

May
31
Sat
Before Nell and After Agincourt @ Upstairs At The Gatehouse
May 31 @ 7:30 pm – 9:30 pm

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Jun
1
Sun
Before Nell and After Agincourt @ Upstairs At The Gatehouse
Jun 1 @ 7:30 pm – 9:30 pm

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Jun
3
Tue
Before Nell and After Agincourt @ Upstairs At The Gatehouse
Jun 3 @ 7:30 pm – 9:30 pm

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Jun
4
Wed
Before Nell and After Agincourt @ Upstairs At The Gatehouse
Jun 4 @ 7:30 pm – 9:30 pm

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Jun
5
Thu
Before Nell and After Agincourt @ Upstairs At The Gatehouse
Jun 5 @ 7:30 pm – 9:30 pm

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Jun
6
Fri
Before Nell and After Agincourt @ Upstairs At The Gatehouse
Jun 6 @ 7:30 pm – 9:30 pm

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Jun
7
Sat
Before Nell and After Agincourt @ Upstairs At The Gatehouse
Jun 7 @ 7:30 pm – 9:30 pm

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Jun
8
Sun
Before Nell and After Agincourt @ Upstairs At The Gatehouse
Jun 8 @ 7:30 pm – 9:30 pm

Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.

Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.

After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.

Jun
10
Tue
The Rise And Fall Of Margaret Thatcher @ Upstairs At The Gatehouse
Jun 10 @ 7:30 pm – 8:30 pm

How Margaret Thatcher first won and then lost the Conservative leadership.

The play concentrates on the personalities, rivalries and machinations involved in the leadership battles and does not set out to take a pro- or anti-Thatcher stance.

Mrs Thatcher blamed her loss of office on the deceitful treachery of Geoffrey Howe, the irresponsible ambition of Michael Heseltine, tawdry Cabinet disloyalty and contemptible backbench weakness. But was that the whole story?

Jun
11
Wed
The Rise And Fall Of Margaret Thatcher @ Upstairs At The Gatehouse
Jun 11 @ 7:30 pm – 8:30 pm

How Margaret Thatcher first won and then lost the Conservative leadership.

The play concentrates on the personalities, rivalries and machinations involved in the leadership battles and does not set out to take a pro- or anti-Thatcher stance.

Mrs Thatcher blamed her loss of office on the deceitful treachery of Geoffrey Howe, the irresponsible ambition of Michael Heseltine, tawdry Cabinet disloyalty and contemptible backbench weakness. But was that the whole story?

Jun
12
Thu
The Rise And Fall Of Margaret Thatcher @ Upstairs At The Gatehouse
Jun 12 @ 7:30 pm – 8:30 pm

How Margaret Thatcher first won and then lost the Conservative leadership.

The play concentrates on the personalities, rivalries and machinations involved in the leadership battles and does not set out to take a pro- or anti-Thatcher stance.

Mrs Thatcher blamed her loss of office on the deceitful treachery of Geoffrey Howe, the irresponsible ambition of Michael Heseltine, tawdry Cabinet disloyalty and contemptible backbench weakness. But was that the whole story?

Jun
13
Fri
The Rise And Fall Of Margaret Thatcher @ Upstairs At The Gatehouse
Jun 13 @ 7:30 pm – 8:30 pm

How Margaret Thatcher first won and then lost the Conservative leadership.

The play concentrates on the personalities, rivalries and machinations involved in the leadership battles and does not set out to take a pro- or anti-Thatcher stance.

Mrs Thatcher blamed her loss of office on the deceitful treachery of Geoffrey Howe, the irresponsible ambition of Michael Heseltine, tawdry Cabinet disloyalty and contemptible backbench weakness. But was that the whole story?

Jun
14
Sat
The Rise And Fall Of Margaret Thatcher @ Upstairs At The Gatehouse
Jun 14 @ 7:30 pm – 8:30 pm

How Margaret Thatcher first won and then lost the Conservative leadership.

The play concentrates on the personalities, rivalries and machinations involved in the leadership battles and does not set out to take a pro- or anti-Thatcher stance.

Mrs Thatcher blamed her loss of office on the deceitful treachery of Geoffrey Howe, the irresponsible ambition of Michael Heseltine, tawdry Cabinet disloyalty and contemptible backbench weakness. But was that the whole story?

Jun
15
Sun
The Rise And Fall Of Margaret Thatcher @ Upstairs At The Gatehouse
Jun 15 @ 7:30 pm – 8:30 pm

How Margaret Thatcher first won and then lost the Conservative leadership.

The play concentrates on the personalities, rivalries and machinations involved in the leadership battles and does not set out to take a pro- or anti-Thatcher stance.

Mrs Thatcher blamed her loss of office on the deceitful treachery of Geoffrey Howe, the irresponsible ambition of Michael Heseltine, tawdry Cabinet disloyalty and contemptible backbench weakness. But was that the whole story?

Jun
18
Wed
Scouts! The Musical @ Upstairs At The Gatehouse
Jun 18 @ 7:00 pm – 8:30 pm

Welcome to the annual Scout Games! Scouts from around the world have gathered to compete but when an intruder threatens to sabotage the competition, it is up to Joe and Ayesha to put aside their rivalries and use their newfound skills to save the day!
Created in partnership with the Scouts, Gigglemug Theatre (A Jaffa Cake Musical, Timpson: The Musical, RuneSical) return with their smash hit, actor-musician led comedy musical for the whole family.
The show received a WhatsOnStage Award Nomination for Best Off-West End Production in 2024, an Offie Nomination for Best Performance Ensemble in 2023 and was even described by former Chief Scout Bear Grylls as ‘Incredible!’.
 
Running Time:  1 hour 50 mins (with interval)
Age Guidance: 6+
Content Warning: Audience Participation!
Jun
19
Thu
Scouts! The Musical @ Upstairs At The Gatehouse
Jun 19 @ 7:00 pm – 8:30 pm

Welcome to the annual Scout Games! Scouts from around the world have gathered to compete but when an intruder threatens to sabotage the competition, it is up to Joe and Ayesha to put aside their rivalries and use their newfound skills to save the day!
Created in partnership with the Scouts, Gigglemug Theatre (A Jaffa Cake Musical, Timpson: The Musical, RuneSical) return with their smash hit, actor-musician led comedy musical for the whole family.
The show received a WhatsOnStage Award Nomination for Best Off-West End Production in 2024, an Offie Nomination for Best Performance Ensemble in 2023 and was even described by former Chief Scout Bear Grylls as ‘Incredible!’.
 
Running Time:  1 hour 50 mins (with interval)
Age Guidance: 6+
Content Warning: Audience Participation!
Jun
20
Fri
Scouts! The Musical @ Upstairs At The Gatehouse
Jun 20 @ 7:00 pm – 8:30 pm

Welcome to the annual Scout Games! Scouts from around the world have gathered to compete but when an intruder threatens to sabotage the competition, it is up to Joe and Ayesha to put aside their rivalries and use their newfound skills to save the day!
Created in partnership with the Scouts, Gigglemug Theatre (A Jaffa Cake Musical, Timpson: The Musical, RuneSical) return with their smash hit, actor-musician led comedy musical for the whole family.
The show received a WhatsOnStage Award Nomination for Best Off-West End Production in 2024, an Offie Nomination for Best Performance Ensemble in 2023 and was even described by former Chief Scout Bear Grylls as ‘Incredible!’.
 
Running Time:  1 hour 50 mins (with interval)
Age Guidance: 6+
Content Warning: Audience Participation!
Jun
21
Sat
Scouts! The Musical @ Upstairs At The Gatehouse
Jun 21 @ 7:00 pm – 8:30 pm

Welcome to the annual Scout Games! Scouts from around the world have gathered to compete but when an intruder threatens to sabotage the competition, it is up to Joe and Ayesha to put aside their rivalries and use their newfound skills to save the day!
Created in partnership with the Scouts, Gigglemug Theatre (A Jaffa Cake Musical, Timpson: The Musical, RuneSical) return with their smash hit, actor-musician led comedy musical for the whole family.
The show received a WhatsOnStage Award Nomination for Best Off-West End Production in 2024, an Offie Nomination for Best Performance Ensemble in 2023 and was even described by former Chief Scout Bear Grylls as ‘Incredible!’.
 
Running Time:  1 hour 50 mins (with interval)
Age Guidance: 6+
Content Warning: Audience Participation!